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  • The Rule Of Three In Storytelling

    The Rule Of Three In Storytelling

    The rule of three in storytelling has several uses. The first works like this:

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    November 20, 2016
  • Genius Characters in Fiction

    Genius Characters in Fiction

    In stories it isn’t always the smartest or the strongest who become heroes — it is often the character who perseveres or works hardest. The villain is often smarter and stronger than the hero. What about really smart characters? Ironically in storytelling, the genius character is often the underdog. Their genius is also their shortcoming, or…

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    November 19, 2016
  • In Medias Res (In The Middle Of Things)

    In Medias Res (In The Middle Of Things)

    Have you ever been told by a teacher, or by someone in your writing group, that your story must open with action, not description? If they’re being fancy about it, they might advise you to begin in medias res. But certain genres demand the establishment of a norm, e.g. The fish out of water story.…

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    November 18, 2016
  • A Fish Out Of Water by Helen Palmer Analysis

    A Fish Out Of Water by Helen Palmer Analysis

    The story of Helen Palmer is — from the outside, certainly — a sad one. Helen is ‘the woman behind the man’ in the Dr Seuss duo. It was Helen who encouraged her husband Theo to start writing picture books. When the marriage ended and Theo embarked upon a second relationship, Helen suicided. It would…

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    November 14, 2016
  • The English Country Garden In Picture Books

    The Secret Garden This is perhaps the most famous, and certainly the most analysed, of the English country gardens in children’s literature. Below is an illustration by the wonderful Inga Moore, also well-known for her illustrations of The Wind In The Willows. Though Inga Moore is a modern illustrator, her style has a classical style…

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    November 13, 2016
  • Garth Pig And The Ice Cream Lady By Mary Rayner

    Garth Pig And The Ice Cream Lady By Mary Rayner

    Garth Pig and the Ice Cream Lady is a British picture book written and illustrated by Mary Rayner in 1977. The story is part fairytale, part 1977 modernity. ABOUT THE AUTHOR Mary Rayner was born in 1933 in Mandalay, Burma of British parents. She was 8 years old when Japanese troops invaded Burma. Her mother…

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    November 11, 2016
  • River Symbolism In Storytelling

    River Symbolism In Storytelling

    here there is a river there is symbolism. At least, in stories. The nature of rivers also differs between cultures.

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    November 9, 2016
  • Doctor De Soto by William Steig (1982) Analysis

    Doctor De Soto by William Steig (1982) Analysis

    Doctor De Soto is an example of a picture book that owes a lot to Aesop, with the characterisation of the mice and the fox already firmly in place. Mice don’t play as prominent part in the fables as you might think, but foxes are one of the main five, along with countrymen, dogs, donkeys…

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    November 9, 2016
  • How Children’s Books Teach Kids To Despise Clever Girls

    Lately I’ve been reading chapter books with my 8-year-old daughter. We’ve been reading realistic comedy dramas from various American eras, from Ramona Quimby to Junie B. Jones to Judy Moody to Clementine. We’re just starting to (re)delve into the work of Judy Blume. We’ve also read similar books produced locally such as Philomena Wonderpen by Ian…

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    November 8, 2016
  • Symbolism Of The Forest In Storytelling

    Symbolism Of The Forest In Storytelling

    Be it woods or forest, when a character enters the trees in fiction, beware! We learned this from fairytales, but is fear of the forest innate,  or taught to us via fiction?

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    November 7, 2016
  • Hygge is the word English needs to describe children’s literature

    Hygge is the word English needs to describe children’s literature

    Danes are scratching their heads about why an everyday word they’ve been using privately for generations is suddenly taking the English-speaking world by storm.

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    November 6, 2016
  • Storybook Farms

    Storybook Farms

    Farms in children’s literature are often a kind of utopia. Often these are animal utopias, and the reader is not supposed to even think of what the animals are really there for. Writing of the book Hepzibah Hen, a Children’s Hour favourite from 1926, is described by Margaret Blount as ‘the antithesis of Animal Farm‘,…

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    November 4, 2016
  • The Three Little Pigs Illustrated by Leonard Leslie Brooke Fairy Tale Analysis

    The Three Little Pigs Illustrated by Leonard Leslie Brooke Fairy Tale Analysis

    The Three Little Pigs is one of the handful of classic tales audiences are expected to know. Pigs are handy characters: They can be adorable or they can be evil. You can strip them  butt naked and let the reader revel in their uncanny resemblance to humans. Or, you can dress them in jumpers and they’re…

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    November 3, 2016
  • Why children’s stories have to be dual audience now

    Why children’s stories have to be dual audience now

    Modern children’s books — picture books in particular — are required to appeal to adults as well as to children. This is known as a ‘dual audience’ story.

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    November 2, 2016
  • The Girl Title Trend In Children’s Books

    The girl title trend in publishing is interesting because it is popular despite some pushback against using the word ‘girl’ to refer to grown-ass women. Author Emily St John Mandel wrote this week about why so much of the bestselling fiction this year has ‘girl’ in the title. Those are my takeaway points but the entire article…

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    November 1, 2016
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