the_paper_bag_princess

Here’s another feminist picturebook from the 1980s in which a scruffy princess does not end up marrying the prince. In fact, it must be one of the earliest of its kind. It’s published in 1980 and remains one of Munsch’s most popular books.

Like others of its kind:

  • the prince is an unlikeable fellow
  • the princess does not look like a princess
  • the princess is a trickster more than a member of royalty
  • it’s still set in a fairytale world but with modern additions here and there — this setting has a medieval backdrop such as castles and dragons with modern details such as tennis rackets and sweaters.

STORY STRUCTURE

Robert Munsch writes odd stories but they still follow classic story structure. Bear in mind that they’re meant to be told aloud. He plonks scenes together without  much in the way of transition as a part of the humour itself.

This story is classic mythic structure with a protagonist who goes out of the house, along a road and meets various characters along the way (here just one character: the dragon). At the end of the mythic journey she is back home, but she is a changed person and now knows her own true desires.

The reason this is a ‘feminist’ story is because for the past 3000 years or so until quite recently, the heroes of mythic stories have all been male. The Paper Bag Princess is a classic feminine re-visioning of mythic strucuture: our girl hero doesn’t rely on weaponry but rather on her wits. We’re seeing more female myth stories now, with Pixar’s Inside Out being the most recent high-profile example.

WEAKNESS/NEED

The princess is set on a path to get married to a horrible prince. She needs to go outside the castle to learn more about herself and the wider world.

DESIRE

“She was going to marry a prince called Ronald.”

OPPONENT

The dragon is a false opponent who saves the princess from herself. by smashing her castle and burning all of her clothes with his fiery breath.

paper-bag-princess-naked

Related: Dragons In Children’s Literature

The real opponent is the prince, and the society that requires her to marry him. The dragon carries him off.

PLAN

“Elizabeth decided to chase the dragon and get Ronald back.” She is forced to wear a paper bag — a symbol of her ordinariness. She no longer has her royal powers to help her.

paper-bag-princess-road

A mythic journey requires a road. Here it is, winding out of sight, far into the distance, littered with perils.

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BATTLE

We see Elizabeth trick the dragon into tiring itself out, showing off in a stereotypically masculine way girls in fiction seem immune to.

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SELF-REVELATION

Although Elizabeth manages to save Ronald, he is not grateful. Instead he criticises her for looking like a mess. She realises that even though he looks the part of a prince, he is really just a ‘bum’.

paper-bag-princess-ronald

NEW EQUILIBRIUM

“They don’t get married after all.”

The final image shows Elizabeth running for joy towards a sunset.

paper-bag-princess-sunset