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The Happy Lion by Fatio and Duvoisin
The Happy Lion picture books were written by Swiss author Louise Fatio (1904-1993) and illustrated by Swiss-born American artist Roger Duvoisin (1900-1980).
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Petunia’s Christmas by Roger Duvoisin
The first of Duvoisin’s Petunia series was published in 1951. Petunia’s Christmas came along the following year.
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My Cat Likes To Hide In Boxes by Lynley Dodd Analysis
Written by Eve Sutton, My Cat Likes to Hide in Boxes is the very first picture book illustrated by New Zealand’s Dame Lynley Dodd.
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Shrek! Picture Book by William Steig Analysis
Before Shrek was a DreamWorks movie franchise it was a 1990 picture book by American author-illustrator William Steig. Below, I analyse the picture book and along that way, I collected a bunch of Shrek facts you never asked for.
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Andrew Henry’s Meadow Picture Book Analysis
Andrew Henry’s Meadow is a 1965 picture book written and illustrated by Doris (“Doe”) Burn (1923 – 2011), an American storyteller who illustrated her picture books in a small Waldron Island cabin with no facilities.
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Two Hundred Rabbits (1968) by Lonzo Anderson and Adrienne Adams Picturebook Analysis
“Two Hundred Rabbits” is a 1968 picture book written by Lonzo Anderson and illustrated by Adrienne Adams, who were married.
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Sinky Boo by Ann Maclean and Art Barton 1947 Australian Picture Book
If you find a copy of Sinky Boo in a secondhand bookstore, look after it. It’s rare. Published in 1947, Sinky Boo was written by an unknown writer called Ann Maclean and a one-eyed artist best known for his fairground artwork at Sydney’s Luna Park.
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The Great Valentine’s Day Balloon Race by Adrienne Adams 1980 Picture Book
The Easter Egg Artists is the first in this series about a family of rabbits with one son and his friend from next door, who is a girl.
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What makes a children’s picture book old-fashioned?
Room On The Broom is now over twenty years old and is no longer contemporary, but because of the similarities in plot, I’ll use Julia Donaldson (and Axel Scheffler’s) book to illuminate how — exactly — Mary Calhoun (and Roger Duvoisin’s) popular American picture book from the mid 20th century feels like a book from an earlier era.
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Houn’ Dog by Mary Calhoun and Roger Duvoisin (1959)
Houn’ Dog by Mary Calhuon and Roger Duvoisin is a children’s picture book about fox hunting for sport. In the picture book it’s called ‘fox racing’, and the author avoids the realities of fox hunting by focusing on the ‘trial run’ which happens the evening before.
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Autumn Harvest by Alvin Tresselt and Roger Duvoisin 1951
Autumn brings the first frost, migrating geese, burning leaves, and a fine harvest. marketing copy Roger Duvoisin’s palette is unique to him. So how does someone with an established, easily recognisable palette use colours to depict autumn for a picture book called Autumn Harvest, written by Alvin Tresselt in 1951? First of all, worth reminding […]
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Meg and Mog by Helen Nicoll and Jan Pienkowski Analysis
Meg and Mog is a super long-running series of picture books written by Helen Nicoll and Jan Pienkowski. As is often the case with popular picture book series, there is also a TV series. There’s a massive gap between the first book and the first TV show, which was broadcast in 2003, when the original […]
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Ox-Cart Man by Donald Hall and Barbara Cooney (1979)
Ox-Cart Man is an American picture book written by Donald Hall and illustrated by Barbara Cooney in 1979. The following year, in 1980, it won the Caldecott medal.
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The Wreck of the Zephyr by Chris Van Allsburg
The Wreck of the Zephyr is a postmodern, surreal 1983 picture book by American writer and illustrator Chris Van Allsburg. You’ve probably heard of Jumanji and The Polar Express, which have been adapted for film. The Garden of Abdul Gasazi was his first. The Stranger features a season personified. The Widow’s Broom is a creepy-ass […]
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Tales From Outer Suburbia by Shaun Tan Analysis
The common thread between stories in this compendium: All stories are set in the same, off-kilter suburb. Some of the stories have no words, and might consist only of a single frame of narrative art. Creative Arts teachers find this really useful in the classroom.