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  • Olivia And The Missing Toy by Ian Falconer (2003) Analysis

    Olivia And The Missing Toy by Ian Falconer (2003) Analysis

    Olivia and the Missing Toy by Ian Falconer shows Olivia the Pig at her most bratty, and her parents at their most indulgent. There are several versions of the book cover of Olivia and the Missing Toy, and the dark one is the scarier of the two. The other is mostly white space, in keeping…

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    July 12, 2016
  • The Soviet Union Children’s Books

    Best Loved Books In The Former Soviet Union General Notes The early Soviet period was a miraculously rich time for children’s books and their illustrations. Philip Pullman To generalise about the young Russian/Soviet Union reader Pseudo-conflicts drive the plots Conservative attitudes in the Soviet Union publishing industry But that’s not what the young Russian reader wants…

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    July 9, 2016
  • Ocean Symbolism In Storytelling

    Ocean Symbolism In Storytelling

    The ocean contains multivalent symbolism — the known and the unknown; surface versus deep. The circle is closed. Nothing ever comes to an end. Wherever one has sunk roots that emanate from one’s best or truest self, one will always find a home. To return is not to revisit something that has failed. I can…

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    July 7, 2016
  • The Reflection Character In Storytelling

    The Reflection Character In Storytelling

    You may have heard of the ‘shadow in the hero’ when creating a character web for a story. Shadow in the hero describes a relationship between opponents. But what if two very different characters bring out the best in each other? What do you call that? What Is A Reflection Character? This is my term…

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    July 5, 2016
  • Fog Symbolism

    Fog Symbolism

    In stories and in art, fog and mist symbolises a variety of related things: obfuscation, mystery, dreams, confusion and a blurring between reality and unreality. First, a description of fog from classic literature: Fog everywhere. Fog up the river, where it flows among green aits and meadows; fog down the river, where it rolls defiled…

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    July 4, 2016
  • Picnics In Art and Storytelling

    Picnics In Art and Storytelling

    Picnics — literal picnics — play an important role in Western children’s literature. When discussing children’s literature, ‘picnic’ has a different, related meaning.

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    July 3, 2016
  • Aerial Perspective In Picture Books

    Aerial Perspective In Picture Books

    When looking at an image, how does the viewer get a sense of depth? The artist can add depth to an image using various tricks.

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    July 3, 2016
  • Writing Activity: Describe A Classroom

    Writing Activity: Describe A Classroom

    Describe a classroom is the perfect writing activity for schools. Maybe you’re in a classroom right now. If so, you can write about that. If not, you can imagine any sort of classroom you like. It may be one classroom in particular, or it may be an amalgamation of several, or of all the classrooms you’ve…

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    July 2, 2016
  • Common Wish Fulfilment In Children’s Fantasy

    Common Wish Fulfilment In Children’s Fantasy

    Genre fiction and children’s fiction often functions to allow the reader to experience a particular form of fantasy. Some wishes are considered more worthy than others. FIVE CHILDREN AND IT The classic book that is entirely about what happens when you wish: Five Children and It, by E. Nesbit, published 1902. Nesbit had a firm grasp…

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    June 30, 2016
  • Moon Symbolism In Storytelling

    Moon Symbolism In Storytelling

    They wouldn’t be so cocky if they knew what me and the moon have going. Ken Kesey, One Flew Over the Cuckoo’s Nest OVERSIZED MOONS There is a rule that moons in picture books must be bigger than the look in real life, from anywhere on Earth. I didn’t fully realise this was a rule…

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    June 29, 2016
  • Still Images In Picturebook Illustration

    The ability to depict movement is perhaps the most important skill of a picture book illustrator. The same goes for comic book illustrators. But not everything is all about movement. Although a professional illustrator has to be good at depicting movement, there is a time and a place for ‘stills’, even inside ‘high-movement’ stories. Below I take a…

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    June 28, 2016
  • Panoptic Narrative Art In Picture Books

    Panoptic Narrative Art In Picture Books

    Let’s say there are 7 main categories of Narrative art. Narrative art is art which tells a story. Panoptic refers to ‘showing or seeing the whole at one view’. Panoptic narrative art is often a bird’s eye view. The ‘camera’ is above. This is the art world’s equivalent of an all-seeing (omniscient) narrator. Panoptic and panoramic…

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    June 26, 2016
  • Composing The Thumbnails Of A Picture Book

    Composing The Thumbnails Of A Picture Book

    How do you go about the task of mocking up a picture book? Most picture book illustrators make a dummy of thumbnails, to check the story flows well. Many writers (who are not also illustrators) find this a helpful practice, too. The following notes are from Framed Ink: Drawing and composition for visual storytellers by…

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    June 25, 2016
  • Levels of Detail In Literature

    Levels of Detail In Literature

    The first job of the storyteller is to decide what to leave out and what to include in the narrative. To spot a liar, ignore everything except the level of detail in a person’s story, new research suggests. This One Strategy Will Reveal if Someone’s Lying With 80% Accuracy, Study Finds In terms of sexual…

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    June 24, 2016
  • The History of Hansel and Gretel

    The History of Hansel and Gretel

    Hansel and Gretel is one of the best-known fairytales. Almost everybody knows the basic story but, more than that, this tale is the ur-story for many seemingly unrelated modern ones. For example, whenever a character meets a character in a ‘forest’ (whether the forest is symbolic or not), the audience is put in mind of…

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    June 23, 2016
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