Panoptic Narrative Art In Picture Books

Let’s say there are 7 main categories of Narrative art. Narrative art is art which tells a story.

  1. Monoscenic — represents a single scene with no repetition of characters and only one action taking place
  2. Sequential — very much like a continuous narrative with one major difference. The artist makes use of frames. Each frame is a particular scene during a particular moment. Think comic strips.
  3. Continuous — Continuous narrative art gives clues, provided by the layout itself, about a sequence. Sequential narrative without the frames.
  4. Synoptic offers the synopsis of a bigger story. You must know a story before you can understand synoptic narrative.
  5. Simultaneous — has very little visually discernible organisation unless the viewer is acquainted with its purpose. There’s an emphasis on repeatable patterns.
  6. Panoptic — depicts multiple scenes and actions without the repetition of characters. Think of the word ‘panorama’. ‘All-seeing’ (pan + optic)
  7. Progressive — a single scene in which characters do not repeat. However, multiple actions are taking place in order to convey a passing of time in the narrative. A progressive narrative is not to be interpreted as a group of simultaneous events but rather a sequence that is dependent on its positioning on the page. Actions displayed by characters in the narratives compact present and future action into a single image.

Panoptic refers to ‘showing or seeing the whole at one view’. Panoptic narrative art is often a bird’s eye view. The ‘camera’ is above. This is the art world’s equivalent of an all-seeing (omniscient) narrator.

Panoptic and panoramic art was popular in the medieval era, where it most often depicts a myth.

(The term has nothing to do with Foucault’s panopticism — I believe the word is made up of ‘pan’ + ‘optics’ as in ‘all-seeing’.)

suburban happenings panoramic art

You will also hear the term ‘panoramic narrative’. This describes a narrative image  that depicts multiple scenes and actions without the repetition of characters. Actions may be in a sequence or represent simultaneous actions during an event. Whereas the word ‘panoptic’ is generally used to describe aerial views, ‘panoramic’ is used to describe a ‘camera’ closer to the ground.

Take a look at two similar scenes below: Christmas shopping on a cosy winter street. Though the subject matter is similar, I interpret them differently. The painting by Kevin Walsh seems to me an amalgamation of various things that have happened on the street that day. I don’t really think those people are all on the street together at the same time.

Kevin Walsh christmas street
Kevin Walsh

In contrast, this Jeff Sudders painting looks like a realistic snapshot of a scene full of shoppers. I read this one differently: All of the shoppers depicted are there at the same time.

Jeff Sudders. ‘Last Minute Shopping in Ambleside
Jeff Sudders. ‘Last Minute Shopping in Ambleside
Shell Nature Studies by Rowland Hilder & Maurice Wilson
Shell Nature Studies by Rowland Hilder & Maurice Wilson. There’s no way all of these animals would exist in such close proximity in any given moment.
Common Objects at the Seaside (1905) Arthur Rackham
Common Objects at the Seaside (1905) Arthur Rackham
In a German mountain forest school posters by M.A. Koekkoek (1873 - 1944)
In a German mountain forest school posters by M.A. Koekkoek (1873 – 1944)
30s teaching paintings from the collections of the Forney Library
’30s teaching paintings from the collections of the Forney Library. This image includes an unlikely collection of modes of transport in the same scene: hot air balloon, airship, ship, various boats, train, motor-car, bicycle, foot.
HOW WE KNOW Illustrated Children’s Book cover C Hatcher Vaclav Koval 1963
Fairytale Woods by Molly Brett (1902–1990)
Fairytale Woods by Molly Brett (1902–1990)

Below are some examples of the folk art style, which works very well for panoptic imagery.

Child Life May 1979
Child Life May 1979

In modern picture books, there is a gradation of activity in a scene. Often, there is way more going on in a single picture book illustration than would ever be happening in a real life photograph. For example, in the scene of the school fair from Shirley Hughes’s Dogger, below, we can see sorts of things going on — all of which would have happened at the fair — but all of the individual actions are meaningful and it’s unlikely they were all going on at the same time. The work is therefore on the panoptic continuum.

Dogger the fair Shirley Hughes panoptic art

Film makers, too, often need to arrange characters within scenes in a way that wouldn’t naturally occur. But we accept these film conventions to a large degree, even when realism is the aim.

What if it’s clear from the context of the story that multiple actions in a single scene are definitely not going on at the same time? This is called Progressive narrative art, in which actions displayed by characters compact present and future action into a single image.

I believe Progressive narrative art is a subcategory of Panoptic art, and in picture books and film the two terms merge, for the simple fact that we in stories, characters live in ‘storybook worlds’, in which it’s perfectly possible all of these things are going on at once. We can’t possibly distinguish between the two states unless we were to know the ‘real events’. But these aren’t wars we’re describing — they are made up from the get-go; there is no basic ‘reality’.

Roland Harvey

Australian artist Roland Harvey is an expert at busy, detailed landscapes and has created a whole series of books with massive panoptic scenes: In The Bush, At The Beach, In The City and panoptic scenes occurring throughout his others.

Where’s Wally/Waldo

Where’s Wally was created by Martin Handford, English illustrator. These books make the most of that wish to hunt and search, linger and examine.

Where's Wally

Migrant by Jose Manuel Mateo

Common Objects at the Seaside (1905) by Arthur Rackham
Common Objects at the Seaside (1905) by Arthur Rackham
Migrant

This book uses a single vertical illustration and brief text.  It folds up accordion-style and recounts the story of a young family who immigrate illegally to Los Angeles, one huge image that is slowly unveiled over the course of the story.

The Great War : July 1, 1916 : the first day of the Battle of the Somme

an illustrated panorama by Joe Sacco would be worth a look. Not exactly for your younger crowd but an amazingly detailed depiction of what this battle  site was like over the period of one day
an illustrated panorama by Joe Sacco would be worth a look. Not exactly for your younger crowd but an amazingly detailed depiction of what this battle site was like over the period of one day
Lemon girl young adult novella

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