Picnics In Children’s Literature

Picnics — literal picnics — play an important role in Western children’s literature. When discussing children’s literature, ‘picnic’ has a different, related meaning.

Perhaps the stand-out example of picnicking in children’s literature is The Wind In The Willows by Kenneth Grahame. This utopian setting has been rendered even more memorable because of the beautiful illustrations by various artists over the generations.

Wind In The Willows

Charles Van Sandwyk
Charles Van Sandwyk

Sophie Blackall
Sophie Blackall

The Wind In The Willows includes a great picnic scene and is used on the cover of various editions.


This artwork by Arthur Sarnoff captures the feel of a mid-century village picnic, with the women organising everything and the men carrying the heavy things. Looking at that steeple in the background, I’m reminded of Larry McMurtry’s Lonesome Dove, in which Call (a cowboy born in the early 1800s) isn’t quite sure what picnics are, exactly, but thinks they have something to do with church.

Arthur Sarnoff
Arthur Sarnoff

Here is a picnic painted in the fictional Call's lifetime, by Thomas Cole.
Here is a picnic painted within the fictional Call’s lifetime, by Thomas Cole.

One of the better picnic scenes of literature comes from Jane Austen’s Emma.

from the 1996 film
from the 1996 film

Another is from Charles Dickens’ The Mystery of Edwin Drood.

Edwin Drood cover

from an unknown Ladybird book
from an unknown Ladybird book

The following Little Golden Book suggests that picnics have traditionally been a good option for a first date, especially for rural people I suppose.

Bialosky's Special Picnic


This is a spread from James Herriot’s The Market Square Dog, with illustrations by Ruth Brown.

The Market Square Dog picnic01

The Market Square Dog picnic02_700x941


Since moving to Australia and I don’t think this country is especially well suited to picnicking. It’s either too hot and dry or your BBQ attracts flies. There are certain times of year and certain specific places where picnics work well. That probably isn’t summer.

There’s an ‘Australian Golden Book’ — hard to find now, with 1970s images of an English style picnic, but in a realistically depicted Australian setting.

Bush Picnic cover

In this story, published 1970, an advertisement-worthy white nuclear family sets off in their brand new yellow station wagon to enjoy a day in the Australian bush.

yellow station wagon_600x372

This is a very typical Australian scene — I believe I see the Blue Mountains in the background.


The mother, dressed in an appropriately feminine pink, dishes up as if they are all at home. These days the children would be wearing wide-brimmed hats.

mother dishes out food_600x373


These goblin markets aren’t picnics per se, but they feature food in the great outdoors.

Goblin Market by Christina Rossetti Illustrated by Athur Rackham. White and golden Lizzie stood

Fairy Market. Helen Jacobs.(1888-1970).


When talking about central patterns in children’s stories, the word ‘quest’ is used quite frequently: A character leaves home, goes on a quest, comes back home again.

But Maria Nikolajeva chooses the ‘more prosaic’ term ‘picnic’ over ‘quest’ in reference to children’s literature, in particular:

The fact is that in most quest stories for children…the protagonists, unlike the hero in myth (or a novice during initiation), are liberated from the necessity to suffer the consequences of their actions. What is described is not the real rite of passage, but merely play or, to follow Bakhtin’s notion, carnival.

Further points:

  • In the Narnia Chronicles, when the children return to their primary world, ‘the wonderful adventure [in Narnia] has been merely a “time-out”, a picnic.’ Nikolajeva likens these books to a modern computer game, in which the player ‘dies’, but simply plays the game again, consequence free.
  • A crucial discussion of any magical there-and-back-again adventures is whether protagonists indeed mature through these exercises in liberation, whether they gain knowledge and experience, and draw conclusions: that is, whether these adventures prepare them for the definite step toward adulthood in the future.’
  • It is extremely seldom that children’s writers describe the impact of a magical journey as negative, as Garner does in Elidor. Another example is Alison Uttley’s A Traveller in Time, where the protagonist is permanently injured by her involvement with the past, which means that she cannot cope with her real life. […] In adult literature, on the contrary, it is highly probable that daydreaming, the creation of worlds of fancy, leads to a mental disturbance or at least to a total reevaluation of one’s life. We may recollect, for instance, the reactions of Lemuel Gulliver upon his return from the land of giants or the land of horses.’
  • Nikolajeva argues that there is no real difference between time-shift fantasy and secondary world fantasy, nor is there any real difference between fantasy and ‘realistic’ adventure.

Related Links About Food and Picnics and Children’s Books

Children’s Books About Picnics

A plague on picnics: From the Famous Five to Brideshead, literature’s full of idyllic outdoor feasts, with not a soggy sarnie in sight. Don’t be fooled, warns LAURA FREEMAN

Infant and Toddler Books About Picnics

Picnicking For The Lazy And Slightly Sloppy from Food Riot

Food and Sex In Children’s Literature

The Bear Books by Jez Alborough feature a boy and his mother who venture into the woods for a picnic.

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