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Bossyboots by David Cox Picture Book Analysis
I was very wary picking up a book called Bossyboots to read to my daughter. ‘Bossy’ is a heavily gendered word. There’s no way a book called ‘Bossyboots’ would ever star a boy. So the first thing I checked was the year of publication. 1985, I thought. Well, this could be a good thing. Overtly…
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Lost Pets In Children’s Stories
A child who reads heavily may well be under the impression that the acquisition of pets requires about as much thought as a well-chosen piece of jewellery. Yesterday I rewatched Bridge To Terabithia — a perennial favourite at our house. I can’t remember if this also happens in the book version, but at the end of…
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Girls Who Love Dogs In Children’s Literature
What if you have a canine loving girl and she would like to see herself reflected in literature? Well, girls and dogs have in previous eras and in other cultures been seen together quite often. OLD SCHOOL KIDLIT ABOUT GIRLS AND THEIR LOVE FOR DOGS The 1940s gave us George and Timmy, though Enid Blyton…
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Leaf by Stephen Michael King Picture Book Analysis
Leaf by Australian storyteller Stephen Michael King is a wordless book comprising pictures and onomatopoeia. How does one write flap copy for a (largely) wordless picture book? The publishers of leaf have obviously done a test read with a young reader called Amelia and they quoted her response for the flap. This story reminds me…
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Gender Inversion As Gags In Children’s Stories
There’s this gag in many humorous children’s stories which almost everyone else finds hilarious and I find really troublesome. It’s when a male character dresses as a female character. This gender inversion in itself is meant to be funny. But why?
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Eric by Shaun Tan Picture Book Analysis
Eric is a miniature, post-modern picture book by Australian author illustrator Shaun Tan. This simple story says big things about cultural difference. The character design of Eric looks to me a little like Vertebrae C6, which could lead me in the direction of an absolutely ridiculous reading, but we shan’t be doing that today. NOTES…
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More! by Peter Schossow Picture Book Analysis
Peter Schossow’s picture book More! is wordless in the same way Robert Redford’s All Is Lost is wordless: Both contain one spoken word, imbued with huge weight accordingly. Gecko Press brought this book from German to English in 2010, and have also translated another of Schossow’s works: My First Car Was Red. Even a ‘wordless’ picture…
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The Rabbits by John Marsden and Shaun Tan Analysis
The Rabbits by John Marsden and Shaun Tan is an example of a modern environmental picture book, which critiques the historical environmental disaster which was the introduction of rabbits into Australia. Much has already been said about that. John Marsden has done a couple of interesting things with the traditional story structure, especially in the…
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A Squash And A Squeeze Analysis by Julia Donaldson and Axel Scheffler Analysis
A Squash and a Squeeze is a 1993 picture book written by Julia Donaldson, illustrated by Axel Sheffler. The plot is very old. A Squash and a Squeeze was published in 1993, when Donaldson was 44. It was not expected to be a big seller. For one thing, it was in rhyme, which publishers at…
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Chatterbox by Margaret Wild and Deborah Niland Analysis
Unfortunately for everyone, Chatterbox by Margaret Wild and Deborah Niland isn’t the only children’s book in existence called Chatterbox. This isn’t the creepiest children’s book image I’ve ever seen but it’s up there. The Australian, contemporary picture book called Chatterbox is a very satisfying book to read aloud and my kid just loves it. Deborah…
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The Story About Ping Picture Book Study Analysis
Despite the Chinese setting, the author of The Story About Ping (1933) is American, born on Long Island, in fact. I’m reminded of the work of Margaret Wise Brown in that both Wise Brown and Marjorie Flack had the uncanny knack of including the most unlikely details, which they somehow knew would appeal to young children.…
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The Two Promises Of Picturebooks
According to Nancy Kress (author of the writing book Beginnings, Middles & Ends), every story makes two promises to the reader: 1. THE EMOTIONAL PROMISE Read this and you’ll be: Entertained Thrilled Scared Titillated Saddened Nostalgic Uplifted But always absorbed 2. THE INTELLECTUAL PROMISE Read this and you’ll see the world from a different perspective…
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Madeline In London by Ludwig Bemelman
Madeline In London (1961) is another carnivalesque story from Ludwig Bemelmans, who may or may not have shot a waiter and been forced to emigrate to America. This probably doesn’t have much to do with anything, except I can’t look at the tea and crumpets scene in this story without wondering about that. Bemelmans’ Madeline…
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This Book Just Ate My Dog by Richard Byrne (2014) Analysis
This Book Just Ate My Dog is a great example of both. Part way through the story the reader is yanked out of it, reminded in no uncertain terms that this thing they’re holding… yeah, it’s a book. It’s a physical object. **SPOILER ALERT** The dog disappears into the gutter. I have seen little kids find…