PICTURE BOOK WORD COUNTS
You can tell a great story with [fewer] than 500 words—think of Where the Wild Things Are (338 words) and The Carrot Seed (101 words)—but you may have to be a genius to do so! And there’s probably a limit on the number of stories that can be told well in under 1,000 words. During this time, by the way, informational picture books have retained longer texts. Novels have gotten wordier. But in the picture book arena, the prevailing wisdom is to shackle writers and get them to be as creative as possible with very few words…
– Make Way For Stories, By Anita Silvey.
I’ve just read yet another article about the new length of picture books. Some say publishers won’t even consider publishing a picture book over five hundred words anymore. Others say they should be under three hundred words. Why? Inevitably, the shorter attention spans of children are cited somewhere in the reasoning. Rubbish, I say!
– We Need Longer Picture Books, Too! from Bookology
Length: Generally 30,000–50,000 words (although fantasy can run longer to allow for more complex world-building).
General Word Counts:
- Lower Middle Grade: 20k – 25k
- Middle Grade: 30k – 45k
- Upper Middle Grade: 40k – 60k
- Fantasy/Sci-fi: 40k – 75k
Percy Jackson & the Lightning Thief – 87,223 (Rick Riordan)
Harry Potter & The Sorcerer’s Stone – 77,508 (J.K. Rowling)
Magyk – 112,921 (Angie Sage)
Hunger Games – 99,750 (Suzanne Collins)
A Wrinkle in Time – 49,965 (Madeleine LEngle)
The Graveyard Book – 67,380
Children of the Lamp Book 1 – 85,761
The Alchemyst – 85,926
The Name of this Book is Secret – 59,485
Generally 50,000–75,000 words (although there’s also a length allowance for fantasy).
THE RECENT HISTORY OF WORD COUNTS, AND THE LIKELY FUTURE
…During the last few years, publishers began to maintain that adults wanted shorter texts to read to children—because of the demands on their time and young readers’ shorter attention spans. In the 1990s, publishers believed that kids didn’t want novels longer than 200 pages—until J. K. Rowling set everyone straight. One of my mentors in publishing used to say that trends are like sunspots: they come and go with no earthly reason. But Susan Hirschman, who founded Greenwillow Books in 1974, always insisted that publishing trends operate more like pendulums. Things swing one way for a period, but then the industry becomes poised to go another.
– also from Make Way For Stories, By Anita Silvey.