Child moves house and starts at new school. This trope is hard to write well because it has been done so many times before.
Some specific plot elements, or motifs, that we find in children’s novels are not as prominent in the mainstream fiction. The first is coming to a new home. Naturally, this element–connected to the basic motif of dislocation, inherent in all fiction–is present in quite a number of mainstream novels, such as Jane Eyre or Mansfield Park. However, I would state that the new home is more dominant in children’s fiction and also more significant, since the change of setting is a more dramatic event in a child’s life than in an adult’s. The character’s reaction to the change is very revealing.
– The Rhetoric of Character In Children’s Fiction by Maria Nikolajeva
Maria Nikolajeva published that paragraph in 2002 and goes easy on the child moves house trope. Since then, despite every children’s author knowing full well that the child moves house trope — or motif — or whatever you’d like to call it had been done thousands of times before, we get to 2017 and Betsy Bird (librarian and reviewer for School Libarary Journal) has this to say about the state of middle grade literature:
If you read too many middle grade novels in a given year, you begin to sense patterns that no one else can see. In 2017 I’ve started down that path. I’ll give you an example of a particular pattern: The new kid in school. It’s not a new idea for a book (Joseph Campbell would probably tell you that it’s just a variation on the old “A Stranger Comes to Town” storytelling motif) but this year it’s gotten extreme. In book after book authors have hit the same notes. Kid is new. Kid is awkward in the lunchroom (seriously – if I never read another lunch room scene again it’ll be too soon). Kid makes friends with outcasts. Kid triumphs by being true to his or her own self. Simple, right? They blend together after a while, but it’s not the fault of the format. A good book, a really good book, transcends its format. Much of what I’ve read this year has already faded into a fuzzy haze in my brain.
The contributors to TV Tropes have also noticed the moving house trope has become super popular in the last 10 years. The trope New House, New Problems refers specifically to a new family moving into a new home, whereupon strange happenings begin to reveal themselves. It’s not just a middle grade thing — it’s a horror thing.
Who knows what contributed to this trend, but I suspect big hits such as Neil Gaiman’s Coraline have something to do with it. The TV Tropes page also points out that every other Goosebumps book begins with a kid moving to a new house. In YA we have the huge successes of Twilight, 10 Things I Hate About You and Mean Girls, so audiences must love the trope. Writers love it too, because it allows a natural discovery of a new milieu, as our new student discovers how the new environment works, along with readers.
The question is, do young readers like it as much as writers do?