Giants and ogres are central archetypes in the fairytale cast. Though similar, they’re not exactly the same.
GIANTS AND OGRES: THE DIFFERENCEGiants are not identical with ogres but they share characteristics, stories and meaning. Giants are big. That’s their defining feature. Ogres have a massive appetite. That’s their defining feature, and in true fairytale fashion, their body is an outworking of their inner story.
Ogre stories are related to the Oedipal plot, about the battle of power between fathers and sons.
The songs and stories that feature ogres and cannibal devils and other monstrous eaters raise questions about the very nature of desire and our ways of expressing it: do our appetites make us monstrous?
— Marina Warner, No Go the Bogeyman
Ogre stories are about food and power, about food in the right place and who puts it there, and vice versa. This concern has grown, as monsters have proliferated and their appetites been ever more luridly dramatised, so that fading and monstrosity have begun to coincide in meaning: from the Cookie Monster of Sesame Street to the dinosaurs of Jurassic Park.
— Marina Warner, No Go the Bogeyman
A BRIEF HISTORY OF GIANTS IN STORYTELLING
Giants in World MythAfrica and South America are the only continents without widely recalled tracks of giants.
Defeated giants inspire a certain patronising affection, as mirrors of a buried and superseded ancestry […] and they enter the comic repertory of entertaining tales. […] Paradoxically, it is the monsters done to death by heroes who survive gloriously, narrated again and again as part of their murderers’ destinies.
— Marina Warner, No Go the Bogeyman
- Let’s go right back to inferno’s giganti (Virgil’s Dante), who strike terror in the poet. Dante (the character) names Nimrod, who built the tower of Babel. Ephialtes was one of the Titans who rebelled against Zeus. Also, Zeus defeated the Titans with his thunderbolts.
- In Norse mythology, jots are ‘huge, shaggy beings of a demonic character who dwell in a distant dark chaotic land.
- The order of the monstrous belongs to a horrible, frightening past. We continue to be fascinated by giants and we like to summon them to mind in the present.
- Giants and ogres have been superseded in popular storytelling. Though immortal, they’re always in the throes of defeat. However, the story of the battles that overthrew them is rehearsed again and again.
- Celtic gods, who were supplanted by Christian saints, are a kind of giant.
- The Nephilim, (from Genesis) are the heroes of days gone by, the offspring of gods coupling with the daughters of men.
- Atlas (one of the deposed Titans) foreshadows the Catholic giant St. Christopher. Christopher is literally Christo-phoros, the Christ-bearer (suggesting he was big and strong).
- Further back in time, beings were thought to grow larger than today (we see it in contemporary stories such as Jurassic Park). The New World was imagined as a haunt of giants. (Did people suspect dinosaurs even before dinosaur bones were unearthed?) People imagined men with one eye in the middle of their chests, who shaded themselves from the sun with a single, gigantic foot.
- Paranormal giants: Yeti, Abominable Snowman, Bigfoot, Sasquatch, Yowie (Aboriginal Australia, who goes by a similar description to a Hobbit, with big, hairy feet.)
- As mentioned, most cultures have giant myths. My home country of New Zealand had Kiharoa and Matua, among others:
There is the story of Kiharoa, a giant of the Ngati-Raukawa and Ngati-Whakatere tribes, who met his death about a hundred and fifty years ago. His stronghold was Tokanui Pa, on the middle hill of the “Three Sisters,” the conical hills which are seen close to the present motor road through the King Country a short distance south of the Puniu River. The story has it that he was twice the height of an ordinary man, and he wielded a hard-wood taiaha of unusual length and weight. He was killed at last when he slipped on some karaka leaves as he fought in a battle just outside his pa. His enormous head presently decorated the palisades of Totorewa, a pa of the Ngati-Maniapoto. An excavation for an oven to cook the huge body was made where he fell, and in one’s youth in those parts the “Giant’s Grave,” as it was called, in the fern, was pointed out by the Maori; the spot is close to where the Tokanui Hall now stands at the cross-roads. Two fathoms long and a foot over, is the native word-of-mouth record of Kiha-roa’s height. It may seem slightly exaggerated; but let us be generous and allow that he was at least eight feet.
There was another giant of these parts long ago, one Matau; like Kiharoa, he was a man of the Ngati-Raukawa tribe, and, too, his favourite weapon was the taiaha. He lived on a hill above the Wairaka River, a few miles beyond Orakau. Maori accounts aver that he was eleven feet high.
German Fairy TalesJakob Grimm commented that ‘In the giants as a whole, an untamed natural force has full swing, entailing their excessive bodily size, their overbearing insolence, that is to say, their abuse of corporal and mental power.’
Seven-mile boots (or seven-league boots) are an element of European folklore. They allow the person wearing them to take strides of seven leagues per step, resulting in great speed.
English Fairy TalesIn The Chronicles of Geoffrey of Monmouth, Albion is a mighty British giant, defeated with all his giant cohorts and his brothers Got and Magog, by the founder of London, Brutus. (Albion is most remembered.)
Anywhere you have a child, or young person, dealing with giants, the comparison to Jack (of giant slayer and beanstalk fame), is inevitable Fairytale News Blog
When Lemuel Gulliver wakes to find himself stranded on the island of Lilliput, he has no way of knowing that this is just the first of his encounters with strange and unknown people, including the giants of Brobdingnag.
In real belief from around this time, giants were thought to exist, and expected to bark like dogs. Some iconic giants even had the heads of dogs. Did you know St Christopher had a dog’s head before he was converted from paganism to Christianity? (Saint Christopher is the patron saint of travellers.) He was depicted as a kind of Anubis, the jackal-headed ferryman of lost souls, from Egypt. Perhaps his hallucinations were inspired by this imagery, but the sixteenth century explorer Antonio Pigafetta (c. 1491 – c. 1531) said he heard giants barking when he sailed past Patagonia.
When Gulliver spoofed the long genre of travel writing, he had much to work with.
CONTEMPORARY GIANTS IN STORYTELLING
Odd and the Frost Giants by Neil Gaiman — Inspired by the Norse myths, Neil Gaiman takes readers on an epic journey with a boy named Odd and his animal companions as they try to save Asgard, the Norse city of the Gods, from the Frost Giants who have invaded it.
James and the Giant Peach by Roald Dahl — Visit a gigantic piece of fruit and the oversized insects that live inside it. One of Dahl’s most well-known stories, this book is a starting point for reading the rest of his works.The BFG by Roald Dahl — This story is more obviously about giants, anthropomorphised. The giants draw on a long history of the cannibalistic ogre. I Kill Giants, the film
Giants And Symbolism
Giants are not what we think they are. The same qualities that appear to give them strength are often the sources of great weakness. — Malcolm Gladwell, David and Goliath: Underdogs, Misfits, and the Art of Battling GiantsGiants are often depicted as hairy.
REAL LIFE GIANTS?Mark Hall is an American scholar who has compiled global records of the existence of giants. He argues that gigantopithecus is another species of primate who were largely wiped out by us (as the Neanderthals were). But he also argues a few of them survive to this day. He describes them as we have long described giants in storytelling:
- far-dwelling — living in areas inhospitable to humans. (Dahl used this in The BFG.)
The Cardiff Giant mystery became one of 19th-century America’s biggest scams. See how George Hull fooled the masses when a large statue was uncovered on his farm.
Sometimes the risk-taking [of carnivals] is no masquerade but, as in bullfighting, places the participants in real danger: on feast days throughout Catalonia, confraternities form troupes of acrobats to build human castells or towers, living giants composed of eight or more tiers of men, girls and boys climbing one above the other, gripping thighs, backs and shoulders, until at the end the whole perilous edifice is crowned byt he anxaneta, a small child who shins up to the pinnacle, which towers 40 feet or more above the ground. — No Go the Bogeyman, Marina Warner