In The Middle Of The Night is a young adult horror novel by American author Robert Cormier. Written in the mid 1990s, this was one of his later works.
The cover reads like the poster for a horror film and gives us a horror tagline: “The sin of the father will be visited upon the son.”
Although Goodreads reminds me I read (and reviewed!) this book back in 2013, I have zero recollection of ever picking it up. This probably says more about my memory than about the book, though I do have strong memories of some of Cormier’s other work, particularly Fade, which I read as a teenager and left a strong impression.
Chicken Little (mostly America) is also known as Chicken Licken or Henny Penny (mostly Britain).
I hope the current generation of children don’t grow up thinking the 2005 animated movie version of Chicken Little has much to do with earlier versions of this story. The movie logline sounds okay on paper: “After ruining his reputation with the town, a courageous chicken must come to the rescue of his fellow citizens when aliens start an invasion”, but tonally, this Disney production is loud, bright and frenetic. The natural ‘opponent’ of the acorn has been turned into the more interesting and formidable aliens in order to sustain a movie length story. Against that tone, the frenzy of Chicken Little himself is absorbed rather than emphasised. Further than that I can’t comment, as I find the movie entirely unwatchable.
Then again, am I really advocating for the continued teaching of the moral of Chicken Little? What does this fable teach us, really?
STORY STRUCTURE OF CHICKEN LITTLE
This is a cumulative tale — you know, the kind you get sick of reading to your kid unless the wordplay is excellent. The ending is tragic, depending on how kind you feel towards foxes. In any cases, we’re not really encouraged to empathise with the birds, so when they die it kind of feels like just desserts for them. I’m sure the characterisation of this tale has something to do with the fact that humans have a long history of eating birds but not foxes. Continue reading “Chicken Little, Cassandra and Modern Horror”
First, listen to a master. This bloke (‘Bongo’) rang into an Australian radio station cracking on his story is true. If it’s true, I’ll eat every single one of my hats. Mind you, the guys at Mysterious Universe believe it. Strange things happen in The Outback.
What do you think?
Go to episode 404 of Mysterious Universe and, unless you want to hear all about sleep paralysis and trolls sitting on chests (which is also fascinating), you can skip straight to Bongo’s yarn at 51:25.
No doubt about it, Bongo is a master of the form. I bet he’s been telling this very yarn for years and years (since September of ’78). If you go to the Australian Outback you’ll meet a number of great storytellers just like Bongo; my in-laws love their camping holidays and they’ll tell you exactly where to find these old guys – out near Lightning Ridge and so on. There’s nothing much else to do out there after dark, you see, with no internet connection and no nothing. Spinning yarns while sounding authentic is a valued skill, like playing the banjo or the harmonica… or the Bongos, even. Continue reading “Tall Tale Techniques For The Scarily Inclined”
In Wallace and Gromit: A Matter Of Loaf Or Death, Wallace and his dog, Gromit, open a bakery and get tied up with a murder mystery. But, when Wallace falls in love Gromit is left to solve the case.
GENRE BLEND OF ‘A MATTER OF LOAF OR DEATH’
comedy, horror, romance >> cosy mystery
STORY WORLD OF ‘A MATTER OF LOAF OR DEATH’
The town’s milieu was inspired by thoughts of 1950s Wigan. It’s sort of like 1950s steampunk. Similar towns are seen in the live action Midsomer Murders series. It’s very English. As a consequence, Wallace comes out with very British idiomatic expressions pretty much every time he speaks. His life revolves around very English foods, especially cheese.