
Meg Elison has written a McSweeneys post about The Gaze which strikes a chord. IF WOMEN WROTE MEN THE WAY MEN WRITE WOMEN. At The Guardian, Lindesay Irvine (incidentally, a man) responded to this spoof gender reversal with: Anyone who’s ever had a brush with cultural studies will be familiar with Laura Mulvey’s influential theory…

The word ‘surrealism’ has a different use in everyday English from its meaning in critical discourse. Surrealism in everyday English: I don’t understand it. Weird somehow. Creepy. Like a dream. Disparate things are together and don’t make sense. Surrealism in critical discourse: Over and above. Literally, super-real (from French). ‘Surreal’ is a modern word and does…

And To Think That I Saw It On Mulberry Street was Ted Geisel’s first book. Well, he’d written an abecedary but failed to interest publishers in it. It took a while to find a publisher for this one, too, but compared to what author/illustrators are up against today, I’m guessing 20 rejections is actually pretty good. Dr…

Theo Geisel had a thing for antlers. In the mid-nineteen thirties, Theodor Geisel was a fledgling author and artist, operating as an illustrator for New York advertisement agencies. His father, superintendent of parks in Springfield, Mass., from time to time sent him antlers, expenditures and horns from deceased zoo animals. Geisel stored them in a…

I’m reminded of modern children’s literature, in which an underdog, much maligned character has his/her own back. It’s pretty funny until you read the top commenter, pointing out that the rat probably has toxoplasmosis, a disorder of the brain. On the other hand, mice and rats alike aren’t timid at all when you consider how small…
Pig Tale is a 1973 picture book by Helen Oxenbury. I’ve already taken a close look at The Three Little Wolves and the Big Bad Pig, which is one of my favourite picturebooks of all time. That was written by Eugene Trivizas and illustrated by Helen Oxenbury, probably because she already had a reputation for…

Can you guess which country this “eat-me-when-I’m-fatter” produced this fairytale? I’ll drop some clues: Yes, it’s Norway. Rudin has a good sense of rhythm, and has retained all the things that are fun about this story as a read-aloud, but I feel the point of it is lost. WHERE TO HEAR THIS STORY I also recommend…
The Useless Donkeys is a 1979 picture book written by Lydia Pender and illustrated by Judith Cowell. At first I thought The Useless Donkeys was going to be a more realistic, earlier version of Walter The Farting Dog in which an adult threatens to get rid of a family pet, but over the course of…
By ‘quiet’ I mean the anti-DreamWorks of yak-yak. The following films will help a child to feel calm rather than revved up. These quiet movies are set close to nature, feature classical soundtracks relatively little (if any) dialogue. (For some reason the mother is usually absent.) Please bear in mind that by ‘quiet’ I don’t necessarily…

As a writing exercise, describe your own living room, or the living room of someone you know. For inspiration, I offer the following examples from literature. EXAMPLE OF A LIVING ROOM DESCRIBED BY DAPHNE DU MAURIER We were all sitting in the long, low room at Farthings, darker than usual because of the rain. The…
Jack and the Flumflum Tree is a picture book by Julia Donaldson and illustrated by David Roberts. The title suggests this may be a retelling of Jack and the Beanstalk but it’s not really — this is an original tale based on mythic structure with elements of Little Red Riding Hood (the sick grandma) and pirate…

The Paper Bag Princess by Robert Munsch is another feminist picturebook from the 1980s in which a scruffy princess does not end up marrying the prince. In fact, it must be one of the earliest of its kind. It’s published in 1980 and remains one of Munsch’s most popular books.

That is NOT A Good Idea is a picture book written and illustrated by the Mo Willems team. This is a funny book which makes use of silent film techniques.
Princess Smartypants is an example of a children’s picture book which uses gender reversal to tell a story that would never really happen. What if women of high socio-economic status could choose their own marriage/non-marriage partners? The ending plays into the stereotypically MRA fear — if women were allowed autonomy they may choose not to include men at all.…