Emotions In Children’s Literature

There are many things that date a children’s book — racism, sexism and other -isms are widely discussed and relatively easy to pick. I know that when I re-read Enid Blyton or almost anything from The First Golden Age of Children’s Literature these things stick in my craw.

Other aspects are a little more subtle. Take the expression of emotions. Until recently, children in the West (especially boys) were uniformly required to keep their emotions in check — the younger the better. If you’re my age or older, you probably remember being told to stop crying. You were told, ‘It’s not worth crying over,’ or ‘Don’t cry over spilt milk.’

Psychologists now know it is unhelpful to persuade a child not to feel an emotion which they are very much feeling. If we want to teach emotional literacy we must name emotions when they occur. We can’t be afraid of them.

Yet picture books are still not fully reflecting this change, especially if we’re still reading books more than 10 or 15 years old to our kids. In this case, we may want to edit them ourselves.

The following photos are plucked from Generation Mindful’s social media stream — a small organisation whose mission is to improve emotional literacy and mental health, especially in children.


When emotions are denied in picture books, edit in favour of acknowledgement.


It’s important children learn it’s possible to feel more than one emotion at the same time. When child characters in picture books are rewarded for not crying, edit to allow for crying. This is especially important for boy characters.

At the risk of sounding like a ‘don’t cry’ apologist, I believe earlier generations were in part attempting something akin to the ‘opposite action‘ technique when they advised their children not to cry. It wasn’t called that then, but you can observe the grandmother in Katherine Mansfield’s “At The Bay” practising something similar. Katherine Mansfield was interested in the vitalists and had done a lot of reading on popular psychology of the time. According to this line of reasoning, you privately acknowledge what you feel, but then you behave in the way you want to be feeling. So, if you’re feeling really down and are inclined to spend the day in bed, you really need to get out of bed and do something you normally love. This can help you to feel better. We might assume that smiling when you feel like crying really can make you feel better.

Crucially, opposite action only works when the emotion doesn’t fit the situation. And the very first step in the opposite action technique is identifying the uncomfortable emotion.

Part of the problem with telling children not to cry is that we may also be telling them they have no reason or right to feel that uncomfortable emotion. Boys who are not allowed to feel sad can learn after some years to turn any negative emotion into anger — the only ‘acceptable’ masculine emotion. This has devastating consequences for everyone.


The following text is all round unhelpful. Sometimes the very premise of a story is unhelpful. The following edit works for the page, but I suspect it changes the entire dynamics:

“Are you frightened?” asked Fuzzy and Scratchy.
“The cricket does look a little bit scary. We’re frightened, too.”


As you may have noticed, children’s books cater most adequately to the book-buying middle class. This has been the case since the end of oral narrative, as soon as stories started being printed out and sold, to people with money to spare.

To quote feminist philosopher Kate Manne on Twitter:

It is an unquestionable trope of white middle-class parenting that boys must be prevailed upon to feel & show their emotions. But what if this isn’t much of a—or isn’t quite the—problem? What if girls need to be similarly encouraged? What if white boys need to show less anger?

Dr. Manne also shared a study called Gender differences in emotion expression in children: a meta-analytic review. Yes, people are studying this stuff.

And here’s Manne’s response to that:

It’s often taken for granted that boys/men don’t—or aren’t permitted to—cry. What is the evidence for this, exactly? This recent meta-analysis suggests differences in the emotional expressions of boys vs. girls are small and subtle.

In children’s books as in everything else, we may need to examine our himpathy.


Someone else on the same thread made the following observation:

I can’t say it’s very scientific but I’m always struck when reading 18th/19th Century novels (men and women authors) by how much the men cry to express extremes of emotion. It’s not really made a meal of – just something the authors feel is relatively normal for them to do.

I can’t say I’ve noticed this myself, but I may not have read enough 18th and 19th century novels. If true, this suggests that the phenomenon of repressed emotion was a temporary blip lasting the length of the 20th century, and not a long-standing feature of humanity. We are perhaps now returning to a cultural norm in which it is acceptable to express certain emotions, for all genders.

We can expect to see this trend in children’s books.

Header photo by Kat J