Category: Terminology

  • Panoptic Narrative Art In Picture Books

    Panoptic Narrative Art In Picture Books

    Let’s say there are 7 main categories of Narrative art. Narrative art is art which tells a story. Panoptic refers to ‘showing or seeing the whole at one view’. Panoptic narrative art is often a bird’s eye view. The ‘camera’ is above. This is the art world’s equivalent of an all-seeing (omniscient) narrator. Panoptic and panoramic […]

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  • Intertextuality of Into The Forest by Anthony Browne

    Intertextuality of Into The Forest by Anthony Browne

    Into The Forest by Anthony Browne is story book, part ‘toy book’. Young readers learn to look at pictures and search for intertextuality, as each illustration links to a well-known fairy tale. This makes the book popular for classroom use, along with the Shrek films and modern stories with fairy tales as ur-texts.

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  • What Is A Flâneur? What Is A Dandy?

    What Is A Flâneur? What Is A Dandy?

    As described by James Wood in How Fiction Works, the flâneur is the loafer, usually a young man, who walks the streets with no great urgency, seeing, looking, reflecting. Flânerie describes aimless behaviour. In French it’s spelt like this: flâneur. Wood also uses the great phrases ‘porous scout‘ and ‘Noah’s dove‘ to describe this authorial stand-in. […]

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  • Iterative vs Singulative Time In Children’s Literature

    Iterative vs Singulative Time In Children’s Literature

    When writing about different temporalities in children’s literature, academic Maria Nikolajeva makes a useful distinction between ‘iterative’ time and ‘singulative’ time. These words come from Gerard Genette, who also came up with useful terms to describe story pacing. Genette talks about three modes of time an influential book called Narrative Discourse: ‘Singulative’ (telling once what […]

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  • Allegory Equals Extreme Metaphor

    Allegory Equals Extreme Metaphor

    Allegory means, among many other things, that the characters, worlds, actions and objects in a work of fiction are highly metaphorical. That doesn’t mean they aren’t unique or created by the writer. It means the symbols have references that echo against previous symbols, often deep in the audience’s mind. Allegorical also means ‘applicable to our […]

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  • What is a parable?

    A parable is a succinct, didactic story, in prose or verse, which illustrates one or more instructive lessons or principles. Fables are different. Fables feature animals, plants, inanimate objects, or forces of nature as characters, whereas parables have human characters.

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  • Doppelgangers, Twins and Changelings In Fiction

    Doppelgangers, Twins and Changelings In Fiction

    A doppelganger is an apparition or double of a living person. It comes from German, and translates literally from ‘double walker’.

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  • Pathetic Fallacy: Not actually an insult

    Pathetic Fallacy: Not actually an insult

    What is pathetic fallacy? Pathetic fallacy is a poetic device where, for the purpose of creating symbolic value or another higher-order creative expression, we attribute human emotions to items which don’t feel emotions. Edit Torrent A Short History of Pathetic Fallacy The term ‘pathetic fallacy’ was coined in 1856 by a man called John Ruskin (an art […]

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  • Chick-Lit and Similar Genre Terms

    chick-lit: a sometimes derogatory term for literature aimed at women, about single women in their twenties who are looking for love trick-lit: “Trick Lit is the term [Seth Godin invented] for a chick lit novel that pretends to be something else, hoping to rope people in with an interesting premise. 30 pages later, you discover […]

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  • What Is Metafiction, Anyway?

    Metafiction is a story which draws attention to its status as a story. In Metafiction: the Theory and Practice of Self-Conscious Fiction (1984) Patricia Waugh defines metafiction as “fictional writing which self-consciously and systematically draws attention to its status as an artifact in order to pose questions about the relationship between fiction and reality.“ “Its relationship to […]

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  • Everyday Words With Different Academic Meanings

    Everyday Words With Different Academic Meanings

    ASEXUAL The queer community uses ‘asexual’ in a very specific way to refer to orientation (low-to-no- sexual attraction). Some people are homosexual, some people are bisexual, heterosexual, pansexual and… asexual. In non-queer spaces, the word ‘asexual’ is used in various different ways independent from the central contemporary meaning of orientation. Even within academic literature, there […]

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  • Disneyfication Or Disneyization

    Defintion of Disneyfication at Wikipedia Walt Disney, the dude, was an interesting and resourceful fella. I have respect for the man behind the mouse. I also have tons of respect for the digital artists and computer whizzes who make Disney’s visually breathtaking animated movies. Having known a few, I even respect those poor saps that […]

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  • How To Write A Tall Story

    How To Write A Tall Story

    The ‘Tall Tale’ is a legitimate genre of story – not necessarily an insult. Maybe it sounds like one because as kids we were told to stop telling ‘tall tales’, when in fact we just thought we were ’embellishing’ real-life happenings. (If you’ve always been a writer than I expect you might identify with that!) […]

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  • Foreshadowing, Side-shadowing & Back-shadowing

    Foreshadowing, Side-shadowing & Back-shadowing

    You’ve probably heard of foreshadowing, but have you heard of back-shadowing and side-shadowing? These techniques have nothing to do with each other, other than that they all describe literary techniques and they all include ‘shadowing’ in the term.

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  • The Carnivalesque in Children’s Literature

    The Carnivalesque in Children’s Literature

    Carnival: In the Bakhtanian sense, “a place that is not a place and a time that is not a time”, in which one can “don the liberating masks of liminal masquerade”. Victor Turner, Dramas, Fields and Metaphors: Symbolic Action in Human Society, 1974 Children’s literature academic Maria Nikolajeva categorises children’s fiction into three general forms: […]

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