Following a television trend started by The Sopranos, Walter White of Breaking Bad is an engaging example of a modern antihero.
I have already taken a close look at how the pilot of Breaking Bad engenders empathy in the audience.
In my mind, the best television series to date is Breaking Bad. When I analysed Tony Soprano, I found him to be a 12-dimensional character. Walter White has almost 16 or 18 dimensions. He is maybe the most complex character ever written by anyone, for any medium. He generated five or six seasons.
A dimension is a consistent contradiction in the nature of the character. Walter was capable of being very gentle, and he was for five seasons with certain characters—and violent and brutal with others! The dimensionality fascinates the audience.
By the time that last episode was executed, we absolutely knew everything about Walter White and his Heisenberg doppelgänger. He was ready to die because he was completely expressed, up to the last scene.
Walter changed every week. We never knew where the hell Walter was. Every time he did things one way, and we would feel that that was who he was, he would just reverse himself and do things in an opposite way.
— Robert McKee
Here’s another reason why Walter White is so engaging: Continue reading “Character Study: Walter White”