Last year marked the 40th anniversary of William Steig’s The Amazing Bone. This is remarkable because it feels, in some ways, like a much more modern picture book than that. This is all to do with Steig’s voice. Pearl is at no point mortally afraid. We know and she knows that this is a storybook world in which good will always triumph. Steig writes knowingly to the reader — we all know this is a modern fairytale. So when he writes of the baddie, ‘He wore a sprig of lilac in his lapel, he carried a cane, and he was grinning so the whole world could see his sharp teeth’, he is holding nothing back from the reader.
Steig’s distinctive voice is also achieved by his choice of vocabulary, which is by turns highly specific against ‘fairytale familiar’ (as above:
On Cobble Road she stopped at Maltby’s barn and stood gawking as the old gaffers pitched their ringing horseshoes and spat tobacco juice.