“I’m A Fool”(1922) is a short story written by American Sherwood Anderson, who was born around the time Lonesome Dove is set, and who died at the beginning of the second world war. So, he came along at the end of the cowboy days, lived through one world war and was heading into another.
Anderson had four wives during his relatively short life. I’m immediately suspicious of a man who has had four marriages. “I’m A Fool” demonstrates a possessive, objectifying attitude towards a woman character which isnt challenged. This doesn’t improve my impression of the writer. To understand this story the reader must also understand that being attracted to a woman and not acting on those strong feelings is about one of the worst things that can happen to a man. If this story were a contemporary song, it’d be “You’re Beautiful” by James Blunt (2004). A young man catches sight of a pretty woman on a train, can’t be with her and is sad forever that he can’t have her. All because she smiled at her.
James Blunt swears he’s got ‘a plan’ but never tells us what that plan is, making the narrative arc incomplete. Like the narrator of “I’m A Fool”, Blunt spends the entire music video punishing himself physically, in this case by taking off all his clothes in the snow, laying out all his pocket possessions and jumping (probably to his death) into the sea below.
Sherwood Anderson’s own young life working various jobs will have influenced this story, about a young man who also feels he has little in common with more sheltered boys of his own age. I recently rewatched Terminator 2, and the very annoying kid in that movie has the same superiority complex of a boy who has been let loose on the ‘real’ world and immediately starts dividing between men and boys, putting himself in the category of man, prematurely.
Sometimes now I think that boys who are raised regular in houses, and never have a fine nigger like Burt for best friend, and go to high schools and college, and never steal anything, or get drunk a little, or learn to swear from fellows who know how, or come walking up in front of a grandstand in their shirt sleeves and with dirty horsey pants on when the races are going on and the grandstand is full of people all dressed up—what’s the use of talking about it? Such fellows don’t know nothing at all. They’ve never had no opportunity.
Some think Sherwood Anderson is a genius. Others think he’s mediocre. Mark Twain did the first person vernacular style first. Every English speaking country has their own iconic male writer of the early 20th century who got famous for daring to write in the regional working man’s vernacular. There’s Frank Sargeson of my own home country (New Zealand). In 1935, Sargeson wrote a piece in a New Zealand liberal newspaper in praise of Anderson’s literary devices. I had to study Sargeson at high school, so it’s interesting to see his main influence. I don’t remember Sherwood Anderson ever mentioned. New Zealand likes to think Sargeson was wholly original in coming up with the idea of eschewing that fancy book learnin language for normal everyday speech.
Anderson also influenced Hemingway and Faulkner, Sinclair Lewis and Philip Roth.
I don’t get a ‘genius’ vibe from this snippet of Anderson’s oeuvre. But I sure am sick of stories about the regrets of men who don’t get to do exactly what they want to with their dicks. Especially when it’s for being dicks.
Apparently, Sherwood Anderson died after swallowing a toothpick. This mode of death is trumped only by Margaret Wise Brown, who died after kicking up her leg to show doctors how well she (ostensibly) was. In any case, I’ll be very careful with toothpicks from now on. And I won’t be kicking any legs up in hospital, either.