Diary Of A Wimpy Kid And The Buddy Comedy

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Jeff Kinney’s Diary Of A Wimpy Kid was first published in 2004. The twelfth in the series is due November 2017. Kinney originally planned ten, unless the quality dropped off. At this point he plans to continue indefinitely, so long as they’re still popular.

Television tie-ins, film versions and highly illustrated diaries of the Wimpy Kid ilk are all consumed in abundance. Such books should not be despised as merely unchallenging, or even pernicious (as Enid Blyton once was by disapproving parents and teachers); welcoming, accessible work, full of deftly harnessed silliness and engaging illus­tration, plays a critical role in the reader’s deve­lopment, teaching by stealth the power of a punchline or a single phrase or word, and makes the act of reading pleasurable in a way that ­data-driven literacy objectives often do not. Predictable formulae, comforting, unchallenging narrative arcs and repeated re-reading allow a child to build a solid foundation of enjoyment from which he or she can go far.

Imogen Russell Williams

THE AUDIENCE OF DIARY OF A WIMPY KID

By this point in his career, Kinney knows his audience really well.

“Kids usually discover my books around seven or eight. Once they are nine they really understand them. They read them until about 13, when they grow out of them.”

“You can’t really write for kids or you might write down to kids.”

ON WRITING FOR CHILDREN

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Dialogue In Literature

“I’m not going to come!” he ejaculated.

“That’s the day you won the cricket match,” she chirped.

Dialogue in fiction should be reserved for the culminating moments and regarded as the spray into which the great wave of narrative breaks in curving toward the watcher on the shore.

EDITH WHARTON

As wonderful as that quote is, for a more practical overview of dialogue mechanics, see chapter 5 of ‘Self-Editing for Fiction Writers: How to edit yourself into print’ by Renni Browne and Dave King.

Self-Editing For Fiction Writers

Here is a summary:

There is plenty of room for poetic licence in fiction but when it comes to punctuating and attributing dialogue, there are rules. First, some technical terms…

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