Great Gifts For Young Artists

I have a nine-year-old daughter who loves stationery. As a kid I loved stationery too, and now I am an illustrator. These days, if I’m buying for a young artist I give great gifts. (A #lessersuperpower?) I love buying art supplies almost as much as I love using them.

Reason for this post: Stationery is never-ending in variation and as a consumable nothing lasts forever, yet I have been asked for suggestions on what to buy my stationery loving kid as a gift. It’s a fair question: Young artists living in rich countries with robust gift-giving cultures probably have an oversupply of pencils and markers.

Here are some gift ideas for young artists which are slightly off the beaten track. You won’t find these in big box stores, but you can find them easily online. I won’t add vendor links though. (Most readers of this blog don’t live where I live.)

1. Skin Tone Pencils

Most young artists have a proliferation of pencils already, because pencils don’t wear down as fast as pencils are gifted. But! They may not have a curated selection of dedicated skin tone pencils.

I like a box set because they encourage White kids to consider a wider spectrum of skin colour and incorporate diversity into their drawings. This is a long way from earlier childhoods, where the ‘flesh colour’ was peach. (Crayola have since changed the name.)

Derwent skin tone pencils

From a colour theory point of view, this set of pencils from Derwent is also good for encouraging young artists to think about all the different tones underlying skin. Who would naturally think that blue is a skin colour? Yet professional artists make use of blue to build up colour. Most coloured pencil manufacturers release a skin tone set — it doesn’t have to be Derwent.

2. Graphite Pencils

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Synoptic Narrative In Picture Books

A synoptic narrative depicts a single scene in which a character or characters are portrayed multiple times within a frame to convey that multiple actions are taking place.

The sequence of events is unclear.

Synoptic narratives typically provide visual cues that convey the sequence, but still might be difficult to decipher for those unfamiliar with the story.

There are 7 main categories of Narrative art. Narrative art is art which tells a story.

  1. Monoscenic — represents a single scene with no repetition of characters and only one action taking place
  2. Sequential — very much like a continuous narrative with one major difference. The artist makes use of frames. Each frame is a particular scene during a particular moment.
  3. Continuous — Continuous narrative art gives clues, provided by the layout itself, about a sequence. Sequential narrative without the frames.
  4. Synoptic — offers the synopsis of a bigger story. You must already know a story before you can make sense of synoptic narrative.
  5. Simultaneous — has very little visually discernible organisation unless the viewer is acquainted with its purpose. There’s an emphasis on repeatable patterns.
  6. Panoptic — depicts multiple scenes and actions without the repetition of characters. Think of the word ‘panorama’. ‘All-seeing’ (pan + optic)
  7. Progressive — a single scene in which characters do not repeat. However, multiple actions are taking place in order to convey a passing of time in the narrative. A progressive narrative is not to be interpreted as a group of simultaneous events but rather a sequence that is dependent on its location. Actions displayed by characters in the narratives compact present and future action into a single image.

Synoptic is the adjectival form of ‘synopsis’, which should give us a clue about what’s going on. Synoptic art = the synopsis of a bigger story.

You can find examples of synoptic art in ancient murals. The viewers of these murals knew the plots of these stories. The art simply triggered their memories of a familiar story. Everyone of the era understood the basic plot of the myths, fables, stories and wars depicted.

This is Mughal painting -- a style from South Asia.
This is Mughal painting — a style from South Asia.

Continue reading “Synoptic Narrative In Picture Books”

Continuous Narrative Art In Picture Books

A continuous narrative is a type of visual story that illustrates multiple scenes of a narrative within a single frame.

Multiple actions and scenes are portrayed in a single visual field without any dividers. The sequence of events within the narrative is defined through the reuse of the main character or characters.

Continuous narrative emphasises the change in movement and state of the repeating characters as indicators of scene or phase changes in the narrative.

There are 7 main categories of narrative art. Narrative art is art which tells a story.

  1. Monoscenic — represents a single scene with no repetition of characters and only one action taking place
  2. Sequential — very much like a continuous narrative with one major difference. The artist makes use of frames. Each frame is a particular scene during a particular moment.
  3. Continuous — Continuous narrative art gives clues, provided by the layout itself, about a sequence. Sequential narrative but without the frames.
  4. Synoptic — offers the synopsis of a bigger story. You must know a story before you can understand synoptic narrative.
  5. Simultaneous — has very little visually discernible organisation unless the viewer is acquainted with the story it tells. There’s an emphasis on repeatable patterns.
  6. Panoptic — depicts multiple scenes and actions without the repetition of characters. Think of the word ‘panorama’. ‘All-seeing’ (pan + optic)
  7. Progressive — a single scene in which characters do not repeat. However, multiple actions are taking place in order to convey a passing of time in the narrative. A progressive narrative is not to be interpreted as a group of simultaneous events but rather a sequence that is dependent on its position on the page. Actions displayed by characters in the narratives compact present and future action into a single image.

 

Continuous narrative art is pretty much exactly the same as sequential narrative art except minus the frames that help the viewer to know where one phase ends and the next begins.

Trajan's Column, depicting one event: The Dacian Wars
Trajan’s Column, depicting one event: The Dacian Wars
Continuous narrative in The Bear Ate Your Sandwich by Julia Sarcone-Roach

Marla Frazee makes a lot of use of continuous narrative. For example Mrs. Biddlebox (There’s an image of the thumbnail sketches for this book on Frazee’s webpage.)

from Boot and Shoe
from Boot and Shoe

Jan Ormerod is also a fan of continuous narrative in her illustrations. See Sunshine, Moonlight, Putting Mummy to Bed. Below Ormerod uses continuous narrative to depict a child getting undressed and dressed. I make use of this same technique to show a child getting ready for bed, but in an interactive picture book app, Midnight Feast.

Sun and Moon continuous narrative
Getting dressed scene in Sunshine

breakfast scene from Sunshine

Falling asleep Sunshine

Sunshine continuous narrative

Ian Falconer uses continuous narrative in his Olivia the pig stories. Here, Olivia the pig waits impatiently for her mother to sew her a different colored soccer shirt in Olivia and the Missing Toy. Not seen here is the bit where she walks off, bored.

Olivia waited and waited and waited

The double spread below is from Olivia and the Fairy Princesses. Continuous narrative is especially effective in stories about a hyperactive little person (or animal-person stand-in) because the multiple images convey a sense of movement.

Olivia and the Fairy Princesses

The cat drinking milk in Wanda Gag’s  Millions of Cats is an example of continuous narrative because the fall of the hill forms a clear temporal guide.

cats drinking milk
the double spread
cats drinking milk close up 2
a better quality image
cats drinking millk close up
a closer look

The road in Virginia Lee Burton’s Katy and the Big Snow provides a temporal guide. So this is an example of continuous narrative art.

katy-and-the-big-snow-hero

If this is were the same postman it would be an example of continuous art. But since it’s meant to be seven (identical looking) postmen, it’s not. It’s panoptic.
At first glance this looks like an example of continuous art but the title tells us there really are five separate firemen.

The following scene is from Diary of a Wombat by Jackie French, illustrated by Bruce Whatley.

Diary of a Wombat battle with bush

Continuous narrative is not just used in ‘art’. Here’s an image from the Stihl home page, presumably to convey the idea that if you buy the Stihl tools you can do all of these tasks in a fraction of the usual time.

Wouldn’t it be nice if you had that many clones of yourself working in the yard whenever big jobs needed to be done?

Warning Sign, Coober Pedy, Outback, South Australia, Australia

 

Panoptic Narrative Art In Picture Books

Panoptic refers to ‘showing or seeing the whole at one view’. Panoptic narrative art is often a bird’s eye view. The ‘camera’ is above. This is the art world’s equivalent of an all-seeing (omniscient) narrator.

The art itself isn’t necessarily three dimensional: Illustrators can create panoptic artwork in 2D if they’re after a more folk artsy style.

suburban happenings panoramic art

You will also hear the term ‘panoramic narrative. This describes a narrative image  that depicts multiple scenes and actions without the repetition of characters. Actions may be in a sequence or represent simultaneous actions during an event. Whereas the word ‘panoptic’ is generally used to describe aerial views, ‘panoramic’ is used to describe a ‘camera’ closer to the ground.

Panoptic and panoramic art was popular in the medieval era, where it most often depicts a myth.

The Conquerors by David McKee
The Conquerors by David McKee

Child Life May 1979

(The term has nothing to do with Foucault’s panopticism — I believe it is made up of ‘pan’ + ‘optics’ as in ‘all-seeing’.)

In modern picture books, there is a gradation of activity in a scene. Often, there is way more going on in a single picture book illustration than would ever be happening in a real life photograph. For example, in the scene of the school fair from Shirley Hughes’s Dogger, below, we can see sorts of things going on — all of which would have happened at the fair — but all of the individual actions are meaningful and it’s unlikely they were all going on at the same time. The work is therefore on the panoptic continuum.

Dogger the fair Shirley Hughes panoptic art

Film makers, too, often need to arrange characters within scenes in a way that wouldn’t naturally occur. But we accept these film conventions to a large degree, even when realism is the aim.

What if it’s clear from the context of the story that multiple actions in a single scene are definitely not going on at the same time? This is called Progressive narrative art, in which actions displayed by characters compact present and future action into a single image.

I believe Progressive narrative art is a subcategory of Panoptic art, and in picture books and film the two terms merge, for the simple fact that we in stories, characters live in ‘storybook worlds’, in which it’s perfectly possible all of these things are going on at once. We can’t possibly distinguish between the two states unless we were to know the ‘real events’. But these aren’t wars we’re describing — they are made up from the get-go; there is no basic ‘reality’.

Roland Harvey

Australian artist Roland Harvey is an expert at busy, detailed landscapes and has created a whole series of books with massive panoptic scenes: In The Bush, At The Beach, In The City and panoptic scenes occurring throughout his others.

Eureka Stockade cover

The First Fleet

on-the-farm-our-holiday-with-uncle-kev

Where’s Wally/Waldo

Where’s Wally was created by Martin Handford, English illustrator. These books make the most of that wish to hunt and search, linger and examine.

Where's Wally

Migrant by Jose Manuel Mateo

Migrant

This book uses a single vertical illustration and brief text.  It folds up accordion-style and recounts the story of a young family who immigrate illegally to Los Angeles, one huge image that is slowly unveiled over the course of the story.

 

The Great War : July 1, 1916 : the first day of the Battle of the Somme

The-Great-War-July-1-1916-The-First-Day-of-the-Battle-of-the-Somme__51E3YxrMkTL
an illustrated panorama by Joe Sacco would be worth a look. Not exactly for your younger crowd but an amazingly detailed depiction of what this battle site was like over the period of one day