“Bliss” is a short story by Katherine Mansfield and one of Mansfield’s last. “Bliss” is offered as an example of a ‘lyrical’ short story.
From a writing point of view, “Bliss” is interesting for its battle scene, in which the main character experiences purely positive emotions rather than the negative charge which normally goes hand-in-hand with the ‘Battle’ part of a story.
Likewise, the self-revelation phase is not a SELF-revelation but a plot revelation (more commonly known as a ‘reveal’) which serves to prevent the main character from understanding something deeper about her own psychology. In this respect, “Bliss” is a similar story to Annie Proulx’s “In The Pit” (though in every other respect the stories are nothing alike).
It is possible to read this story many times at different levels and on each reading to notice a new detail. It did much to establish Katherine Mansfield’s reputation as a ‘modern’ writer. Although Virginia Woolf despised it, T.S. Eliot and others regarded it with considerable interest. There is clever satire in the grotesque caricature of the London/Garsington intelligentsia, yet there are moments of quite lyrical beauty and colour which impress themselves on the mind with vivid clarity. Through the character of Bertha, Katherine Mansfield explores the nature of the feminine friendship and female sexuality, both of which are recurring preoccupations in much of her work. Underneath the brittle sophistication the reader senses the underlying tension as it mounts to its disquieting climax.
— Katherine Mansfield: The woman and the writer by Gillian Boddy