“Runaway” is the first short story of Alice Munro’s 2004 collection. It was also published in The New Yorker, where you can read it online. “Runaway” makes for a great mentor text for the following reasons:
- Nuance of human motivations. The desire is at the ‘complex’ end of the spectrum — our main character doesn’t actually know what it is she wants. How do you write that kind of character, when we’re told over and over that our main character has to ‘want’ something? Carla is a great case study.
- A Plan which is actually a fantasy plan, but still works as a proxy.
- A Battle scene which follows the ‘real’ battle.
- A Self-revelation had by two characters first presented as ‘parallels’, now revealed to be ‘inverse’ characters. One achieves more insight into her own psychology; the other — we extrapolate — never will. The latter does realise something — a proxy revelation — just not about herself.