More than any other narrative structure, the short story veers toward what Joseph Frank calls “spatial form” — a set of narrative techniques and processes of aesthetic perception that work to impede linearity. For most novels scale is weighted on the side of everyday reality, measured by means of accumulation of matter-of-fact details within temporal frames. But short stories are kind of the opposite: Elements of the mythic and dreamlike are foregrounded. Instead of moving through time in such a way that propels readers on, readers of short stories are catapaulted from beginning to end and back again. Short stories are designed to be re-read.
— Mary Rohrberger, The Art of Brevity