“A Country Where You Once Lived” by Robin Black (2010) is a great example of a short story in which the present story plays out alongside the backstory of a stand-out inflection point (“fulcrum”) which happened 13 years earlier. Two separate time periods merge into one. Whenever this happens in a story we are reminded that no single moment in time stands in isolation — the present is inevitably affected by the past.
The symbolism of trains, and their connection to the irreversible march of time, and the unforgiving nature of bad moral decisions, is fully mined in “A Country Where You Once Lived”. Continue reading “A Country Where You Once Lived by Robin Black”
The ability to depict movement is perhaps the most important skill of a picture book illustrator. The same goes for comic book illustrators. But not everything is all about movement. Although a professional illustrator has to be good at depicting movement, there is a time and a place for ‘stills’, even inside ‘high-movement’ stories.
Below I take a look at examples of still images in picture book illustration.
AN EXAMPLE FROM COMICS
I was writing NYX, which was a Marvel book about these teenage mutants who are living on the streets of New York. And [the character] Kiden, one of her powers is that she can stop time. I remember the editor writing, “This is not a film. So how do you guide an artist when it comes to describing stopped time? Because literally everything is already stopped on the page.” That was a real eye-opener to how this was a very deep medium I was working in.
— from an interview with Marjorie Liu, creator of Monstress
CHARACTERS POSING FOR ‘PHOTOS’ IN PICTURE BOOKS
This is how my eight year old tends to begin her homemade picture books:
Professional picture book illustrators, on the other hand, know all about movement, and are able to convey in a static image a wide variety of verbs that are happening within a scene.
Rudie Nudie by Emma Quay is an example of a picture book in which movement is very important and expertly depicted. A loose, sketchy, generic style of illustration is very good for ‘high-movement’ illustrations, with realism best saved for sombre, more serious stories. Continue reading “Still Images In Picturebook Illustration”