The Enormous Crocodile by Roald Dahl and Quentin Blake

For fans of Into The Woods by John Yorke, The Enormous Crocodile is an example of a story which mirrors itself perfectly.

The Enormous Crocodile by Roald Dahl Quentin Blake

THE PAIRING OF QUENTIN BLAKE AND ROALD DAHL

For those of us who grew up reading Roald Dahl in the 1980s, it’s impossible to separate the author from his enduring illustrator, Quentin Blake. It’s easy to forget that at first Dahl was paired with a few different illustrators before Quentin Blake. (Rosemary Fawcett is one illustrator whose career may have been ruined by Dahl’s dislike of her macabre illustrations, which is a bit rich.) Continue reading “The Enormous Crocodile by Roald Dahl and Quentin Blake”

The Great Fusilli Courage The Cowardly Dog:

The title card artwork is done by Margaret Frey. Main title by John R. Dilworth, the art director.

STORY STRUCTURE OF THE GREAT FUSILLI

This is the last Courage story of season one and it is fitting that the creators have made a work of metafiction — in other words, the audience is reminded that they are watching a TV show.

WEAKNESS/NEED

Courage: That it’s up to him to save the day despite being an ordinary dog

Muriel: That she is oblivious and trusting and just a little prone to fancy

Eustace: That he is easily persuaded by the promise of riches (among many other faults, this one is often his downfall, as it is here.) Continue reading “The Great Fusilli Courage The Cowardly Dog:”