[L]iterary fiction tends to exalt the tragic, or the gloomy, while Mormon culture prefers the sunny and optimistic.
“When I was an English major, then getting a master’s, most of the literary fiction I read was tragedy,” said Ms. Hale, whose “Princess Academy” was a Newbery Honor book. The books she was assigned treated “decline and the ultimate destruction of the human spirit” as necessary ingredients for an honest portrayal of life.
But what if Mormons do not think that way?
KB: I don’t have a religious bone in my body, but there’s Catholic prose and Protestant prose. Flannery O’Connor’s prose is Catholic fucking prose. John Updike’sprose is Protestant fucking prose. And that’s fine. There’s also Jewish prose, which dominated my whole reading staples in my twenties. I wanted to be the next great Jewish writer, which was difficult, as I was a ginger-haired child in Cork, in the south of Ireland. That didn’t work out. Without being too reductive, I would say the Protestant strain is to strip down and to pare back, to reduce. Beckett is a Protestant writer. Joyce is a Catholic writer. Joyce piles it all on to the fucking page. And for a long time in the 20th century, Irish writers had a great difficulty. They had to go one of the two paths. But there was a third way, and the stream in Irish writing I really love is that mischievous, anarchic, and inventive one that goes back to writers like Flann O’Brien, back to the 1700s to Laurence Sterne and Dean Swift. It’s a kind of crazy, funny, nasty strain.
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