In stories, characters change. The change may be tiny; it may be massive. Apart from ‘range of change’, there is another way of thinking about the nature of your main character’s arc: Do they end up free at the end?
Yuval Noah Harari writes in 21 Lessons For The 21st Century that all stories are basically about the victory of mind over matter. Howard Suber says something similar in his book on film: That every movie could be called ‘Trapped’.
I’d like to build on this idea because although it describes most stories, it doesn’t describe all.
Here’s what we can say for sure: All characters desire freedom, in fiction as in real life. And if they seem to crave imprisonment, like the main character in King Rat, for instance, that’s because they’ve ironically found their own kind of freedom within a state of imprisonment.
- The Onion recently lampooned this human tendency to crave trammels.
- Writers sometimes do very well with trammels. Unleashed creativity is a sprawling, scary thing.