What Is Remembered by Alice Munro

what is remembered

“What Is Remembered” by Alice Munro appears in the print edition of the February 19, 2001, issue of The New Yorker. It was also published in the collection Hateship, Friendship, Courtship, Loveship, Marriage.

Looking back as an old lady, this short story focuses on several days across one young woman’s life in which she hooks up with a doctor she meets at her husband’s friend’s funeral. The memory of this event sustains her, imaginatively, for the rest of her life, and allows her to lead this parallel imagined life in which she remained single and more adventurous. In this way, “What Is Remembered” reminds me of Bridges Over Madison County.

I’m also reminded of a song by Nancy Sinatra.

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Tobermory Short Story by Saki

Tobermory” is a short story by Hector Hugh Munro, otherwise known as Saki. Anyone with a pet has probably wondered what that pet would say to you if it could talk. Many children’s stories have this premise, and this particular wish fulfilment fantasy. We imagine if our pets could talk they would say satisfying things. Continue reading “Tobermory Short Story by Saki”

Humour in the Nancy Cartoons by Olivia Jaimes

bushmiller_nancy_glasses

I really like Scott Dikkers’ taxonomy of humour categories. Today I’m taking a closer look at why the new Nancy cartoons by the pseudonymous Olivia Jaimes work so well for so many. In short, why are these minimalist snapshots funny?

The strip, about a rambunctious little girl, her buxom aunt, and her tough-talking best friend, was a study in comedy’s bare essentials, using a handful of panels to tell exquisitely crafted jokes, many of which played with the format of the comic strip itself. It began in 1938, as a spinoff of an earlier strip, Fritzi Ritz, about Nancy’s aunt who gradually became a supporting character in her own strip. And it was so ambitiously simple that it inspired a famous work of comics criticism, the 1988 essay (and later book) “How to Read Nancy.”

Vox

(I haven’t read How To Read Nancy, but I’d like to.)

How To Read Nancy

Some points from the book and from enthusiasts:

  • To dismiss ‘Nancy’ as a simple strip about a simple slot-nosed kid is to miss the gag completely. ‘Nancy’ appears to be simple only at a simple glance.
  • Every element in a “Nancy” panel adheres not to a comic strip but rather to “the blueprint of a comic strip.
  • In comics, all action is composition.
  • In ‘Nancy,’ Ernie Bushmiller created his own reality, where everything is wholly his and the world as we know it has been reduced to its essentials — there’s a Zen-like mastery of form.
  • Unlike a justly venerated classic like ‘Peanuts,’ ‘Nancy’ doesn’t tell us much about what it’s like to be a kid. Instead, ‘Nancy’ tells us what it’s like to be a comic strip.
  • There’s an emotional sort of flatness of the stories
  • The gags aren’t side-splittingly funny but they are always visually satisfying.

The following strip is considered classic Bushmiller at his peak:

Nancy Bushmiller at his peak

Notice how Nancy is a trickster, observing a situation then getting her own back, with extra on top. (Her opponent uses a water pistol; she is about to make use of an infinite stream of hose water.) The Battle is kept off the strip because we know exactly what’s going to happen.

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