Part of me thinks that a reader’s preference for a physical book isn’t just about how it smells or about the reassuring heft of it in the hands, but derives from more subconscious things. Picture books are more ornamental than other kinds of books. In picture books you’ll sometimes see that an imaginative illustrator has done something creative with the colophon, or included easter egg doodles in unexpected places (maybe a face sticking out from under a dust cover). I’ve not seen this much in novels for adults. When an adult picks up a book, they’ve probably done a bit of research about what it’s about, even if that’s just reading the back cover copy. In picture books for children, the peritext — everything in the book which is not the actual story — helps the reader to decode the story. A reader learns something about the story from the cover, the size of the book itself, the type of paper, any dust jacket and — often overlooked — the endpapers.

 

Lawrence Sipe explains how endpapers are like stage curtains:

endpapers as curtains

What might this mean for those of us creating picture book apps rather than paper products? Picture book apps have their own analogues to the peritext of printed matter. For example:

  • an icon on the app store
  • screen shots on the app store
  • promo videos/trailers
  • splash page
  • title page
  • navigation page

Of this list, the young reader will not necessarily see screen shots on the app store nor watch any promo video, so I can probably cross those off the list as examples of peritext. (I guess it’s called ‘epitext’.) As for the other features, any of those can be left out when it comes to an app. There is no physical cardboard, for instance, requiring some sort of endpaper, and so it can be tempting (due to memory and other limitations) to leave out something like a title page between the splash page and the main menu. A splash page is most often used in apps to advertise the developer’s company and to create a brand across a stable of products, without necessarily tailoring its look to the story in hand.

There is also ‘peritext’ which is specific to book apps:

  • rate this app button
  • credits page
  • links to social media
  • other products from the same developers

Some of this ‘peritext’ isn’t welcomed by adults who purchase picture book apps for children, though I’m sure a great many feel neutral about it, so long as it’s not obtrusive and click-baiting from the main menu. This isn’t an exhaustive list of peritextual possibilities. In an app, would a finger-painting activity or a match-the-words page counted as peritext?

Some questions for picturebook app developers are:

  • How can we introduce our stories with ‘stage curtains’ in this new digital environment, where readers expect some sort of introduction to the story before it ‘begins’?
  • How can we help the reader by making sure our peritext extends the story on every non-story page, even if it’s just a little?
  • What is it about physical books which is best transferred — in some form — to a digital medium? And what can happily be left out?
  • Is there anything we can do digitally which would improve upon the peritextual limitations of printed books?

 

 Somewhat related:

When we discuss front cover designs, the pinkness of this or the blueness of this, we’re discussing paratexts. And, to be frank. there doesn’t seem to be much research about the impact / affect / effect of them.

Gendered Books In Children’s Literature

 Paeony Lewis points out that when it comes to printed books, not all of them are as beautiful as they could be: “I think many hardback children’s picture books lack what I call ‘gorgeousness’.” This is worth mentioning in a climate where comparisons between digital and printed matter are inevitable.