THE COLOUR OF SKY/ENVIRONS
How does the colour of the sky throughout Hilda Bewildered give clues about the time of day, the plot sequence and the difference between Princess Hilda’s reality versus the imagined scenes?
Highlight below for some answers.
Golden — The story opens with a wintry dusk.
As nightfall comes, the sky looks green through the dining hall window.
The blue sky from Hilda’s imaginary airship is a cerulean, unlikely sort of blue. This is also the blue of the screens which appear throughout the story — the detectives’ computer screen, the view through the security cameras. Events behind a screen are not real for the viewer (even though real for the characters depicted), just as Hilda’s imaginary world of unnaturally blue sky is also one-removed from reality.
The sky of the grimy city is a browny yellow, to contrast with the golden colour surrounding the palace — an oasis of riches.
As the taxi moves into the forest the sky turns blacker and blacker as Hilda finds her way into her mental cave (and eventually to a basement in an abandoned hotel in the middle of a dark forest).
But on the final page the sky is back to dusky yellow, because The Other Hilda is wholly imagined: It is still sunset and Hilda has yet to make her speech. As she makes the speech she imagines she is talking to tussock rather than to a daunting crowd of people. From the stage, though, she sees nothing but bright lights.
Death green, Life green
Brainstorm some ideas/themes which are commonly symbolised by the colour green in storytelling and in pop-culture.
There are many different shades of green. Do different shades of green suggest different meanings?
Do a Google image search for green movie posters (by going to advanced search and setting the colour to green). After looking at a large number of green movie posters, what kinds of stories are associated with green?
Princess Hilda’s ring is emerald green. What does the colour green symbolise in Hilda Bewildered?
Highlight the text below for some answers.
THE FOREST: This is common in myths/legends/fairytales. This is connected to the female principle/The Great Mother. Vegetable life thrives in a forest, free from any control or cultivation. Princess Hilda’s life is so regimented she craves freedom. Foliage excludes sunlight, so the forest is considered in opposition to the sun’s power. The forest symbolises the unconscious. Jung said that the sylvan terrors that figure so prominently in children’s tales symbolise the perilous aspects of the unconscious. Houses and cultivated lands are safe areas but the forest harbours all sorts of dangers and demons, enemies and diseases. (Zimmer). The forest in this tale contrasts with the manicured garden at the Royal Palace: subdued, ordered, selected, enclosed.
LIFE AND DEATH: Green is the colour of life; it is also the colour of death (of gangrenous corpses). Death is represented by black through the greenish shades up to a typically bright green colour, after which it symbolises life. Giving a speech in front of many people feels like a life and death situation for the princess. Life and death are opposites, as are the princess and her alter ego. A forest is full of life, but for an ill-equipped girl, it also means danger and death.
THE MIDDLE PLACE: Green takes the middle place in the everyday scale of colours. Green is an intermediate, transitional colour spanning between the two groups of ‘advancing’ colours and ‘retreating colours’. (This is because it is mixed from blue, a retreating colour, and yellow, an advancing one.) The Other Hilda lives in the shadows of society (a retreating character) but she would like to advance socially – she just has no idea how to go about it. This is impossible for a girl in her position with her plain looks.
Green can also be associated with the ghostly/uncanny, with peace, growth, branching out, turning over a new leaf, imagination.