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Tag: moon

The Half-Skinned Steer by Annie Proulx

A steer, but not half-skinned

A steer, but not half-skinned

“The Half-Skinned Steer” by Annie Proulx is, as said by Mary Lee Settle “as real as a pickup truck, as ominous as a fairy tale.”

Animals make an appearance in a lot of the story submissions we receive. Bunnies are maimed and killed. Dogs behave mischievously. Alligators threaten to attack. The truth is, many short story writers include animals in their tales, for different reasons. Many times, in our contests for emerging writers, an author will use a mangled or dead animal as a (seemingly) direct symbol for the loss of innocence, a dysfunctional family dynamic, or the end of a relationship. In other cases, the animal is not a direct symbol but merely a story element that interacts in a pleasing way with the rest of the narrative structure. Animals can add a level of tension or mystery to a story, they can drive the plot, or they can simply add texture. Though they can (often) be cute, animals are powerful presences in a story, and it’s interesting to consider the many different ways that they add to tales by contemporary writers.

The Masters Review

Contains spoilers, as usual. Continue reading

Moon As Night, Sun As Day

Here’s something you won’t easily find in fictional picture books: The moon out during the daytime. In picturebooks — as well as in comics, film and movies — you’ll find that the moon signifies the night.

Even our hand held technology reinforces this binary. Various apps on my phone use a crescent moon as the symbol for ‘night mode’, even though the moon is not visible every night and even though it is sometimes visible during the day.

Why is the moon visible during the day? It’s one of those questions you think you know the answer to until a child asks you. Then you might find you need to go look it up. Here’s a YouTube video for just such an occasion.

Related Links

The Rule of Oversized Moons In Picturebooks – moons in picture books tend to be much bigger than in real life.

The Colour Of Sky — no, it’s not always blue!

from Bringing Down The Moon by Jonathan Emmett and Vanessa Cabban

from Bringing Down The Moon by Jonathan Emmett and Vanessa Cabban, in which a little mole tries to get the moon out of the sky.

The Rule Of Oversized Moons In Picturebooks

There is a rule that moons in picture books must be bigger than the look in real life, from anywhere on Earth. I didn’t fully realise this was a rule until a beta reader for Midnight Feast asked me why my moon was so small. In fact, the moon was the ‘correct’ size, but then I realised why he had asked the question: Every single picture book I looked at had an oversize moon.

Why is this? I believe it’s because picturebooks don’t happen in the real world. They happen inside this other reality, in which size is all out of whack. Children can behave autonomously as adults; adults can behave as children.

For the record, the moon at the end of Midnight Feast is now oversized. I did change it. And yeah, it does look better.

final scene from Midnight Feast

final scene from Midnight Feast

There is also an oversized moon in The Artifacts, but because it’s in a picture book, it doesn’t look big, does it?

The Artifacts sheep moon

Why is the moon so important in literature?

  • A (large) moon can infuse your story with magical powers, even when the story is not of the fantasy genre per se.
  • The moon is a physical manifestation of fate.
  • A moon can be seen from everybody, anywhere on Earth and therefore makes a story feel universal, much like a myth.
  • The moon can lend a feminine feel to a story, since it is connected to the menstrual cycle.
  • The moon is comforting, since it waxes and wanes predictably.
  • In picturebooks, for practical purposes, the moon provides a great source of light, making night scenes glow.

The Moon ‘Incorporated’

Sometimes illustrators emphasise the importance of the moon by incorporating the celestial object into the design in a way that makes the moon seem part of the earthly landscape.

On the cover of Slinky Malinki it’s done subtly, with the glow from the moon providing an illuminating frame for the title.

Slinky Malinki cover

Which Witch’s Wand Works? by Poly Bernatene

Which Witch's Wand Works01 Which Witch's Wand Works02

Kay Nielson’s illustrations incorporate the moon more fully into the story, as the story requires:

East of the Sun and West of the Moon, 1914 Kay Nielson

East of the Sun and West of the Moon, 1914 Kay Nielson

This is a crystal ball, but we’re lead to associate the crystal ball with the moon.

Red Magic, 1930, Kay Nielson

Red Magic, 1930, Kay Nielson

In Powder and Crinoline, 1912 Kay Nielson moon incorporated

In Powder and Crinoline, 1912 Kay Nielson

Exception

In her illustrations of Beauty and the Beast, Schroder creates a fantastical moon which is actually smaller than a real moon.

Here's the Beast, looking very much like Beauty's little dog. He is depicted in this story as a chimera. Even more terrifyingly, his castle is full of chimeras -- most startlingly, the table with leopard legs.

Here’s the Beast, looking very much like Beauty’s little dog. He is depicted in this story as a chimera. Even more terrifyingly, his castle is full of chimeras — most startlingly, the table with leopard legs.

Massive Moons On Book Covers

There’s a graphic design advantage to huge moons as covers — the moon provides a light-coloured circle upon which to showcase the title.

Pitschi

The Moonday Cover moon is massive.

This story was based on the author/illustrator’s dream.

Oversized Moons In Books For Adults

This design feature isn’t limited to kidlit. Adults and teens are also drawn to oversized moons.

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