Shirley The Medium Courage The Cowardly Dog

“Shirley The Medium” is an original recomposition of elements from diverse sources:

  1. Pandora’s Box fairytale
  2. A Christmas Carol, Dickens
  3. Modern TV psychics

shirley the medium

establishing shot
establishing shot

STORY STRUCTURE OF SHIRLEY THE MEDIUM

WEAKNESS/NEED

Courage is unable to tell Eustace not to open the box.

Also, in this episode, one weakness is that he needs to please his owners, even though one of them is outright horrible. When he digs up a locked box he hands it over to Eustace when he overhears Eustace complaining about his dead brother’s box of money. This leads to no end of trouble.

DESIRE

Courage wants to prevent Eustace from opening a box.

trying-to-open-the-box

There is a different desire, however, to set off the action. Courage wants to find his yo-yo. He runs out into the yard and searches through his hole, which is the child-dog equivalent of a child’s toy box.  Continue reading “Shirley The Medium Courage The Cowardly Dog”

Strat and Chatto by Jan Mark and David Hughes

Strat and Chatto is a picture book created by Jan Mark and David Hughes. Jan Mark was a British children’s book author who died about 10 years ago in 2006. She wrote for the picture book and chapter book age range. Her subject matter was mostly ordinary kids in ordinary settings. She also wrote plays and collections of short stories.

strat and chatto cover

 

NOTES ON THE ILLUSTRATION OF STRAT AND CHATTO

David Hughes describes himself as “a graphic designer who happens to illustrate” which sounds suspiciously to me like he’s actively avoiding the condescension experienced by creators of children’s books. The truth is, though, that he hasn’t really illustrated many picture books compared to all the other work he has done. He also writes children’s books.

His background/forte in graphic design shines through on these pages, which are all double page spreads, with the action flowing beautifully across the page. (I haven’t scanned any of the double page spreads — the hard copy is necessary to enjoy those.)

White space is preserved, and busyness minimised, with the technique of filling some objects with colour and leaving others as outlines.

Another standout feature of these illustrations are the disgustingness of the creatures. Hughes achieves this by creating skeletal, long-fingered hands, spiny tails and wavy antennae.

 

STORY WORLD OF STRAT AND CHATTO

Strat and Chatto is a story set in London, with a strong Cockney influence coming through in the rat. This rat is an animal version of the Rag and Bone man of yesteryear — a white, working class guy who gambles, drinks and plays darts at the pub when he’s not at work.

Like any old city, London is in a state of constant change — out with the old, in with the new. This cycle is emulated at the micro level in this story about the rotation of animals inclined to infest urban dwellings: cockroaches, rats, silverfish and also bats.

dominoes

STORY STRUCTURE

WEAKNESS/NEED

Our viewpoint character is the put-upon cat. The cat is presented as somewhat cuter than the other characters, though lacking in drive. This is his downfall.

chatto

DESIRE

All Chatto wants is this one rat out of his house.

OPPONENT

The original (off-stage) opponent may be the rat throwing lentils onto his head, but this story begins with a far stronger opponent coming along.

See here for why rats are the baddies and mice are the goodies of children’s literature.

Readers do love tricksters, and the rat is an example of that archetype.

PLAN

We don’t see the rat’s plan for a while, though we’re encouraged to guess.

This part of the story is very similar to Julia Donaldson’s A Squash and a Squeeze, in that a small dwelling becomes unbearably overcrowded with creatures, upsetting the original inhabitant. Donaldson’s story is created more like a modern fable with a message about not complaining about the size of your house, but this is a purely comic tale in which the reader is invited to guess at what the wily rat is up to.

piano-scene
I suspect the illustrator is not a huge fan of Nana Mouskouri.
bats
Possibly the only instance of camel toe I have seen in a children’s book.

 

BATTLE

The battle scene is a busy scene where all the invaders come together.

Then Strat climbed in at the cat flap and yelled, “EVERYBODY OUT!”

And out of the cat flap came the bats and the cockroaches and the silverfish.

READER SELF-REVELATION

We realise the rat’s plan. We’ve been wondering all along why he’s been moving all his friends and acquaintances into the cat’s house — it’s because he wants to move in himself, since his own house is about to be demolished.

NEW EQUILIBRIUM

We realise now that this is a very clever circular story. The original rat probably weasled his way into the cat’s apartment by similar means.

Notice the tails here, intertwined, but in a stranglehold.

The long, bulbous fingers which have been emphasised throughout the book are framed for attention here. Long fingers indicate a long reach, and we find them creepy. I’m sure that’s why depictions of grey aliens feature similar hands.

tails-wound

Puss In Boots by Charles Perrault

These days, modern children are probably most likely to have encountered Puss In Boots in the second Shrek movie. The most resonant scene for us all is probably the bit where Puss is revealed to be a manipulative little bastard, making his eyes big and cute in order to get what he wants. I admit, it’s a real triumph of animation.

Continue reading “Puss In Boots by Charles Perrault”

Slinky Malinki by Lynley Dodd

Slinky Malinki is a picture book by New Zealand author illustrator Lynley Dodd.

Slinky Malinki cover

A BRIEF HISTORY OF CATS IN CHILDREN’S LITERATURE

Sometimes it is difficult not to resent their apparent success, and they are good or evil according to their creator’s feelings. […] Perhaps Kipling was right, and cats are neither for nor against us, but both or neither, as they wish or feel*. As characters they have great possibilities and depths that few writers, with the possible exception of Paul Gallico, have made use of. Their long history of connection with witchcraft has suggested tales of magic cats such as Barbara Sleigh’s Carbonel, 1955, or, in a more down to earth setting, Rosemary Weir’s Pyewacket, 1967; and their urbanised versatility (dog stories are more usually about country life) is categorised unforgettably in T.S. Eliot.

— Margaret Blount, Animal Land

* When creating the character of Slinky Malinki Lynley Dodd absolutely makes use of this historical duplicitousness: Slinky is one thing during the day, another thing altogether come nightfall. The werecat, in other words.

Continue reading “Slinky Malinki by Lynley Dodd”

Literary Cats

vintage book cover

the fat cat coloring and limerick book

The Fat Cat Pimpernel Pictures by Alan Howard

Puss In Boots Little Golden Books

Short Story Study: Puss In Boots by Charles Perrault

What were your favourite childhood books? Were any of them about cats? Mine was Katie the Kitten, a miniature version of a Little Golden Book. Honestly, I think it was the smaller size of the book that attracted me to it, as I was obsessed with small things.

Katie The Kitten Little Golden Book

Cats have their own subplot in our storybook app Midnight Feast.

midnight feast night cat

midnight feast cat clothing shop midnight feast aquarium cats

MORE ON CATS

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literary-cat

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My favourite cat video: