Masks In Storytelling

masks in storytelling

When creating characters, storytellers draw a distinction between what Michael Hauge refers to as ‘identity’ (masks) and ‘essence’.

  • Identity refers to the faces people present to the world, also known as masks.
  • Essence is the (one) true self.

The underlying message of most stories is the same no matter the genre: It’s only when a mask (false identity) comes off that true happiness can be found.

Genre And Masks

The Love Genre

This distinction is important in the love genre. The audience is clued in about who is right for each other because even if the romantic pair start off fighting, they eventually get to know the other’s essence. All other romantic rivals never get past the ‘identity’ stage of knowing. Continue reading “Masks In Storytelling”

Mother’s Day Courage The Cowardly Dog

mother's day courage the cowardly dog

“Mother’s Day” is an episode from season one of Courage The Cowardly Dog. This is where we get some of Eustace’s back story. Until this point in the series, Eustace Bagge has been a singularly unpleasant character. We haven’t see what made him the way he is. In this episode, for the first time, we learn his ‘psychological wound’, or the backstory that explains why he treats others so badly. In stories, as in real life, this is simplistically attributed to deficiencies in the mother.

STORY STRUCTURE OF “MOTHER’S DAY”

WEAKNESS/NEED

As usual we have an opening shot in which Courage looks momentarily at peace.

courage-at-peace

Of course this does not last long because of the two people he lives with. Because he is a child (in the body of a dog) he will have to just go along with them, trying to appease them.

DESIRE

Eustace doesn’t want to go see his own mother for mother’s day but he wants to get Muriel off his back.

go-and-see-your-mother

Continue reading “Mother’s Day Courage The Cowardly Dog”