The following are notes from the Kid You Not Podcast episode 12.
A criticism of literature, especially British literature, is that it’s predominantly white and doesn’t reflect the diversity of society.
NORMALISATION VS PROBLEMISATION
Artichoke Hearts is predominantly a story about love between a young protagonist and her grandmother. Another theme is that the girl is a school girl in London, going to a diverse London school. This book normalises multiculturalism, but what about stories which ‘problemise’ them?
A SELF-FULFILLING PROPHECY?
It is thought that because it’s predominantly white, middle-class people buying children’s books that this is the reason why children’s books are filled with white, middle-class characters. But could this simply be alienating for any potential reader who happens to be something other than white, middle-class?
Publishers are very keen to explore writing which stars more diverse characters and the reason they are keen to do that because they know there’s a market out there. The biggest growing population in England is ‘mixed heritage’.
A NO-WIN SITUATION?
If a (white, middle-class) writer includes (‘name-drops’) characters with diverse names then they are often accused of tokenism. Yet if they don’t, they are accused of exclusion.
May white writers create stories about non-white characters? This is the job of a writer: to imagine other lives. Can men write female characters? Are women allowed to write male characters? No one is a monolithic person. Everyone has a heritage made up of various parts. Characters don’t have to be autobiographical. But writing a main character from a different background from your own does require more confidence.
See also Diversity Related Links from Jen Robinson’s Book Page