I’ve heard that serif fonts exist to help the reader’s eyes move across words, gently guiding us from one letter to the next without us even realising.
I’ve also heard that sans serif fonts are more easily read on a screen, which may explain how Comic Sans ever took off. (I have to remind myself that it did used to be awesome, that font.)
Most storybook apps I’ve seen make use of a form of serif font, regardless of the fact that the reader is reading from a screen. While it may be the case that sans serif fonts are adequate for iPads, if not downright better, there’s an atmosphere conveyed by serif fonts that can’t be achieved with sans: the feeling of paper books and tradition and memories of our childhood favourites. Font choice influences the mood of a piece of work. This is why I have chosen a serif font.
I love fonts, and can easily spend a week finding new ones and seeing how they look. In the end, though, I decided to use an open source font for The Artifacts. It’s from the Dejavu font family. After experimenting with all of them, the condensed bold version looked the best.
What about all those other cool fonts, though, the ones with REAL personality? There are numerous font sites online and I’d love to have made use of one of those.
The problem I have is that someone, somewhere designed those fonts and they rightly expect to be paid. When I look at the end user licence agreements for some of my favourite ‘free’ fonts, they are indeed free for personal use, and sometimes the print run licence is reasonably priced, but once you want to make use of a font in a piece of software, sold internationally, the licence gets really difficult to understand (I understand ‘expensive’) so without a copyright lawyer to advise us, I figured I’d just stick to open source.
Since it took me a good while to find Dejavu, I’ve decided to use it again in Midnight Feast. This time, though, I’m wanting a sketchy, handwritten version of a font. I considered making my own font. There’s an iPad app for that. (But I can’t remember what it’s called, and I haven’t found an adequate stylus yet.)
So I made my own handwriting font. You can do this online for free at MyScriptFont.com. (There are also plenty of sites that’ll charge about $15 for the same thing, e.g. Your Fonts, but they don’t tell you that until the very end.)
I called my new font Midnight Feast, of course. I used a pen preset that I’d already made in Artrage. I didn’t bother printing out the template, mainly because our printer’s not working, instead making use of the Wacom. (When, exactly, is the Printers’ Strike ending, again?) My font is pretty rough and ready. I wouldn’t want to attempt anything other than a handwriting font without making use of something far more time consuming and powerful like FontStruct (where I technically have an account.) Tutorial on FontStruct can be found at MacLife.
We’ll probably be using our Midnight Feast font only to generate numbers at Dan’s end. But now I have a font called MidnightFeast on my computer! And it was super simple to do.
Experienced and qualified font designers will be turning in their graves.
The Typography Of Authority — Do Fonts Affect How People Accept Information? from The Scholarly Kitchen. (Hint: That’s a loaded question.)