Range Of Change

This needs to be determined at the start of the writing process.

If studying a character rather than creating one, it’s a useful aspect to consider.

Range of Change

Bear in mind that some authors, famously Chekhov, do not create main characters who change, and this is the very point. Mad Men creator Matt Weiner has said the same thing about Don Draper, making the point that in real life, unlike in most popular stories, people just don’t change all that much.

don-draper-shrug

The Two Forms Of Character Development In Fiction

Characters can develop in two ways.

  1. A text can provide new information about a character that causes readers to see the character differently and in more depth
  2. Or the events of a story can actually change characters, make them more complicated.

The Pleasures of Children’s Literature, Perry Nodelman and Mavis Reimer

 

Character Change And The Development Of Novel Plotting

Ford Madox Ford, quoted by James Wood in How Fiction Works, pointed out that in older novels — especially those from England — the novelist would begin at the beginning and work chronologically through their character’s life, telling us all about their education and other influences.

But a new development in the novel meant authors avoided starting ‘at the beginning’. When it was discovered that novels in characters could change, it was interesting to depict that change on the page rather than explain it. Ford Madox Ford describes this new type of novel by explaining how “you meet an English gentleman at your golf club. He is beefy, full of health, the model of the boy from an English public school of the finest type. You discover, gradually, that he is hopelessly neurasthenic, dishonest in matters of small change, but unexpectedly self-sacrificing, a dreadful liar, but a most painfully careful student of Lepidoptera and, finally, from the public prints, a bigamist who was once, under another name, hammered on the Stock Exchange … To get such a man in fiction you could not begin at his beginning and work his life chronologically to the end. You must first get him in with a strong impression, and then work backwards and forwards over his past.”

 

Related

If you’re in the middle of writing something and find that you’re second-guessing your thumbnail character descriptions, see The Always/Only Test by Andrea Phillips and realise you’re not the only one.

The stages of character change as broken down by psychologists, from Psychwriter