See a collection of his landscapes here.

I don’t see many artists of this style working in children’s picturebooks. That’s not saying there are none at all, but the art in children’s picturebooks tends to be more ‘illustrative’ rather than photo-realistic. That’s neither a good thing nor a bad thing — I’m not trying to make any statements about one style of illustration being superior to another. But I would like to see more of this style in children’s books because photo-realistic artwork was my favourite kind as a kid. The more realistic it was, the better I liked it. I’m pretty sure that’s why I liked the artwork of Georgina Hargreaves in my large, illustrated editions of Enid Blyton’s The Faraway Tree — the artwork looked as if the children and the made-up creatures had been created from photographs. There is certainly charm in the oft-seen watercolour strokes defined by dark ¬†outlines, and the likes of Quentin Blake can do a marvellous amount with a few quick flourishes of an inkpen.

All that said, I’d love for some of the SFF artists currently working in the game industry to illustrate some really good picturebooks for school aged children. I think that would be an excellent way to get a certain reluctant demographic into reading.

I say all of this with one big reservation. Artists working with the SFF genre are very much inclined to depict female characters in sexualised poses, exposing as much of their bodies as possible.

 

So when I say I’d like to see more SFF artists moving into children’s illustration, what I’m really asking is for artists working in children’s illustration to be paid adequately, to support the number of hours it takes to create such artwork — not for artists trained in SFF tropes to bring those SFF stereotypes down into children’s illustration.