Slap Happy Larry

picturebooks, apps, eBooks, short stories

Month: January 2018

Tiny Books For Kids Who Love Cute Things

My daughter is not a wide reader. But she will read the same illustrated series over and over again, and also anything tiny. She loves Sylvanian Families, bugs and tiny books. In an effort to get her reading more widely I asked for recommendations from people who know kids’ books.

Here’s what they suggested:

THE BEATRIX POTTER BOX SET

It’s easy to forget about this one. Because they’re out of copyright, these books are relatively cheap, per book, if you buy them all at once. I found the cheapest place to get them here in Australia is at Big W (for $50). I’ve also seen them at Costco.

Definitely avoid buying the big anthology of the Beatrix Potter stories. Beatrix would be horrified to know they’d ever been printed like that. Those little books were only meant to be read as little books.

Each book is about 166.9 x 231.9 x 28.2mm.

ANNIKIN EDITIONS

Annick Press published an imprint of tiny books featuring authors such as Robert Munsch. In fact, it was one of these which got my daughter hooked on tiny books. I bought it online thinking it was a regular sized picture book, mainly because it was the cost of a regular sized picture book. I was disappointed to see how tiny it was when it turned up, but perked up when my daughter loved the tiny size of it. The Paper Bag Princess is the most famous book in this series. (We already have the regular size.)

If you’re in America you’ll be able to buy these second hand for a buck each, but in Australia we’d be paying an extra ten dollars per book to get it sent over.

204 x 204mm, with stiff but paperback covers

THE NUTSHELL LIBRARY: MAURICE SENDAK

Four Maurice Sendak books in tiny version, in their own little box. Aww. (And ‘aww’ isn’t normally a word I’d use with Sendak’s dark work.)

It includes Alligators All Around, Chicken Soup With Rice, One Was Johnny and Pierre.

71.12 x 101.6 x 43.18mm | 249.47g

 

FANCY NANCY PETITE LIBRARY

HarperChildren’s have realised that there are girls (especially?) who love small books, so they’ve published a few of their girly series as tiny versions, including Fancy Nancy and also Pinkalicious.

Fancy Nancy is 76.2 x 109.22 x 38.1mm in its box.

 

POCKET GENIUS BOOKS FROM DK

Dogs, bugs, horses, Ancient Rome… If you’re after tiny non-fiction, this is your series.

Each book in the series is 97 x 127 x 10mm.

 

ELSIE PIDDICK SKIPS IN HER SLEEP BY ELEANOR FARJON

Though not published specifically as part of a tiny edition of anything, the 1997 edition of this book is in itself unusually small, though not quite as small as ‘nutshell editions’ of things.

123 x 180 x 10mm

 

GUESS HOW MUCH I LOVE YOU: LITTLE LIBRARY

“The adorable hares from the classic Guess How Much I Love You are back in a gorgeous miniature slipcase gift collection containing four short stories.Big and Little Nutbrown Hare, from the multi-million-selling picture book Guess How Much I Love You, return in these four seasonal picture books: Spring, Summer, Autumn and Winter. Each captivating story is seasonally themed and beautifully illustrated, and the four books are collected in a covetable miniature slipcase”

92 x 94 x 52mm

 

LITTLE CHICK: THREE STORIES

These are board books, so obviously designed for the book-chewing toddler market, but the stories work for an older audience.

91.44 x 96.52 x 38.1mm

LITTLE FUR FAMILY

These small board books have fur on the front, great for sensory seekers. They’re by Margaret Wise Brown.

There was a little fur family
warm as toast
smaller than most
in little fur coats
and they lived in a warm wooden tree.

Published 1946, the layout is similar to Beatrix Potter.

BRAMBLY HEDGE BOX SET

The set of A Year In Brambly Hedge are reasonably small, which makes sense because the main characters are mice.

154 x 178 x 52mm

 

Small editions of books tend to come out before Christmas, because they’re considered ‘stocking stuffers’.

Though they are hard to find if you’re looking for them, I’ve also noticed a disproportionate number of tiny books in secondhand stores. I have a theory about why this is: They’re a pain to keep on a shelf. Mainly because you can’t shelve them. You need a little box for them. I think parents get sick of them lying around and send them to the thrift store. Also, if little books are considered stocking stuffers, it’s easy come, easy go.

Anyhow, keep your eye out in thrift stores if you have a little lover of tiny books! One day you may stumble upon a collector’s item. Four Frogs In A Box by Mercer Meyer is out of print and goes for about $50 second hand.

Which makes me think small, limited editions of books may be especially valuable. It’s far cheaper for publishers to produce regular sized books, and they don’t put them out that often.

I haven’t added the Mr Men books here because I think they are terrible. But I am sure their nice, small size contributed to their wide appeal.

Matilda by Roald Dahl Novel Study

Matilda is a classic, best-selling children’s book first published in 1988. This story draws from a history of children’s literature such as classic fairytales and Anne of Green Gables.

Matilda was written by Roald Dahl, but significantly improved by a talented editor and publisher, Steven Roxburgh. For half of his writing career, Dahl wrote for adults. When Dahl found publishing success in the children’s book market he stuck with that, but his editors were constantly having to make them more suitable for kids. The happy place where the stories ended up — creepy and scary but in a childlike kind of way, filled a real hole in children’s literature at the time. Children needed scary stories which spoke to our revenge fantasies, our hatred for certain adults in our lives and our trickster instincts.

Charactersiation In Matilda — Pre-edited and Post-edited Comparison

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A Letter To Momo Film Study

Letter to Momo is a 2011 Japanese feature anime directed by Hiroyuki Okiura, also known for Ghost In The Shell. After the oceanographer father drowns in a disaster at sea, mother and daughter move from Tokyo to the small island village where the mother spent holidays once per year with her aunt and uncle to recuperate from her asthma as a child. Creatures from Japanese folklore appear to guide young Momo through the grieving process, in this story intimately connected to Japanese Buddhist and Shinto traditions.

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To The Manor Born Storytelling Techniques

To The Manor Born is a British romantic comedy series written by Peter Spence which aired from 1979 to 1981. The actors reunited for a Christmas special in 2007. The writer is also known for Rosemary & Thyme and Not The Nine O’Clock News. Spence is educated in politics and American studies, which come across in his one-liners — these English characters have a contempt for all things American and there is a stark division between the blue bloods and the Labour government. He married into the family that runs this estate, so I can’t imagine anyone better positioned to write from an outsider’s perspective about a small English community set around a parish than Peter Spence.

STORYWORLD OF TO THE MANOR BORN

Characters Who Stand In For Subcultures

Oftentimes when two characters clash in fiction, those individuals stand in for the clash between groups of people irl. This elevates an otherwise simple comedy or domestic drama. In Hud we have a clash between old values and new (1960s) values of the American South. In 2017 we saw a similar clash in Three Billboards Outside Ebbing, Missouri, in which certain characters exemplified racist, insular attitudes. Others struggle to deal with the new, kinder culture. Still others display progressive values. In To The Manor Born we have a very British clash between aristocracy and the nouveau riche — two very different kinds of rich, but both rich all the same, and therefore foreign to the vast majority of the audience.

 

TO THE MANOR BORN STORY STRUCTURE

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Black Mirror Season Four Storytelling Takeaways

Black Mirror is a science fiction anthology series exploring a twisted, high-tech world where humanity’s greatest innovations and darkest instincts collide. Each story says something about our relationship to technology and how technology affects our relationships with others.

SEASON FOUR: USS CALLISTER

LOG LINE: A virtual woman wakes up on a Star Trek-esque ship where the crew praise their all knowing and fearless captain.

Think Inside Out but for adults. As in the Pixar film for children, we have two separate plot lines running in parallel but intricately linked — one taking place in the ‘real world’, the other an ensemble cast of characters who exist only in one of the real world characters’ heads. The ‘main character’ of the ‘real world’ layer is different from the ‘main character’ in the fantasy layer, though I talk more about character function below. As is the case in Inside Out, I feel USS Callister does lag a bit in the middle, but I know this opinion isn’t shared by all types of viewers. Unlike Inside Out, one of the storylines in USS Callister is a happy ending, the other a tragedy.

USS Callister

I’ve seen approximately five minutes of Star Trek in my life, which was enough — given its pop cultural status — to know that the game spoofed in this episode was Star Trek. There’s nothing subtle about that. This genre spoof was the source of its humour — the buttons where it doesn’t matter which one you push, it’s all the same, to the smooth crotches sans genitalia, which is a comment on the sexlessness of Star Trek, but also a comment on the inhuman asexuality thought to be a defining characteristic of the show’s super fans. Continue reading

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