Month: April 2015

  • Tough Boris by Mem Fox and Kathryn Brown Analysis

    Tough Boris by Mem Fox and Kathryn Brown Analysis

    Tough Boris is an Australian-American pirate picture book published in 1994. As fodder for stories, ocean piracy has never been out of fashion. Especially in stories with an implied readership of boys, the pirates of modern picture books are often comical rather than scary; jovial rather than evil. Pirate stories bear little to no resemblance […]

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  • A Glutton For Punishment by Richard Yates Analysis

    ABOUT THE STORY Written in the early 1960s, “A Glutton For Punishment” is about a man who gets the sack from an unspecified office job in New York City. He considers keeping this information from his wife. SETTING In this post-Mad Men era, it’s impossible to  read Yates and not envisage scenes from Mad Men. Yates’s revival might […]

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  • Rosie’s Walk by Pat Hutchins Analysis

    Rosie’s Walk is an influential picture book by Pat Hutchins, first published in 1986. This book is notable for its large ironic gap between pictures and text: The text is a pedestrian story in which nothing remarkable happens. The pictures show several near death experiences. Separately, Rosie’s Walk is designed to teach young readers dimensional […]

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  • Fun With A Stranger by Richard Yates Analysis

    Fun With A Stranger by Richard Yates Analysis

    Some short stories exist mainly as character studies. Fun With A Stranger (1962) by American author Richard Yates is one example.  The story paints a portrait of a particular kind of old-fashioned school teacher. The reader feels empathy for everyone involved, from the young pupils to the teacher herself.

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  • Millie by John Marsden and Sally Rippin Analysis

    Young readers love to hear about naughty children. If this were a story by Roald Dahl or Edward Gorey, the naughty Millie would definitely have met a nasty end, but this particular naughty child remains the apple of her parents’ eyes. Since all children have bad thoughts sometimes, this story is a comfort-read, and would […]

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  • Autumn Day by Mavis Gallant Analysis

    “Autumn Day”, a short story by Mavis Gallant, is interesting for feminist reasons. Think of Betty Friedan’s The Feminine Mystique; think of Mad Men’s Betty Draper and compare the idle, childlike helplessness of Cissy, the first person narrator in “Autumn Day”. This is a post WW2 picture of American housewives. The men had just saved everyone’s […]

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  • Monsters and Creatures In Children’s Literature

    Monsters and Creatures In Children’s Literature

    Natalie Tran is one of Australia’s best comedians and I enjoy her increasingly sporadic uploads to Community Channel on YouTube. Recently Natalie has been babysitting, and wonders what to do when the kid tells her there’s a monster in their bedroom. a. Do you go along with it? b. Do you tell them it’s just […]

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  • Things That Appear In Picture Books More Than In Real Life

    Objects like tops and toy trains appear again and again in children’s books despite their absence from the lives of most contemporary children. Words About Pictures, Perry Nodelman To that list I’ll add:

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  • Just Me And My Puppy by Mercer Mayer Analysis

    Just Me And My Puppy by Mercer Mayer Analysis

    Just Me And My Puppy by American author-illustrator Mercer Mayer is worth a close look because, like many others in this long-running series, it is a wonderful example of ‘counterpoint irony’ in picture books. Though the title may annoy purists, the grammar of the title foreshadows a story told from the point of view of […]

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  • Them Old Cowboy Songs by Annie Proulx Short Story Analysis

    “Them Old Cowboy Songs” is a short story by Annie Proulx, included in Proulx’s 2008 collection Fine Just The Way It Is. Stories in the collection: Family ManI’ve Always Loved This PlaceThem Old Cowboy SongsThe Sagebrush KidThe Great DivideDeep-Blood-Greasy BowlSwamp MischiefTestimony of the DonkeyTits-Up In A Ditch In the short story “Them Old Cowboy Songs” […]

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  • The Size and Format of Picturebooks

    How does the binding of a book affect reader expectations? What about the size? The actual individual appearance of of individual books is just as obvious an example of how prior expectations control our responses to stories; it influences our attitude to the stories the books contain before we even begin to read them. We […]

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  • Wolves In Children’s Literature

    Wolves In Children’s Literature

    In stories, wolves are a shorthand for opponent. This comes from the historical real life fear of wolves of course, but also from Aesop. Now that wolves are an endangered species, writers sometimes subvert this archetype and position the wolf as the sympathetic character. This also carries the message that no one is all good or all bad, and we…

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  • Picturebooks: Where to place words on the page?

    Where to put the text in a picture book? How do the eyes of readers move across the page? What is the age of your reader? This will affect the decision.

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  • The World’s First Picturebooks

    The World’s First Picturebooks

    It is difficult to be precise about when the modern picturebook first made its appearance but most authorities seem to be agreed that during the late nineteenth century picturebook makers such as Randolph Caldecott played a decisive role in transforming the Victorian toy book into something much more like the modern picturebook. Similarly, although many […]

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  • Bears In The Night by Stan and Jan Berenstain Analysis

    Bears In The Night by Stan and Jan Berenstain Analysis

    Anyone who has helped an emergent reader with assigned readers knows the difference between an interesting early reader and a ‘slog’. Bears In The Night by the Berenstains is an early reader with a focus on positional words. This book is an example of a successful early reader because the story is engaging and children will want to return to its…

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